Panasonic Lumix GH6 Camera with Lumix 12-60mm f/3.5-5.6 Lens Kit
This kit combines the Panasonic Lumix GH6 flagship MFT camera with Lumix G Vario 12-60mm f/3.5-5.6 lens for pro video from a new 25.2 MP Live MOS Sensor with new Venus engine and no limit 5.7K 30p internal movies.
- Compact hybrid video-centric MFT camera body and versatile wide to tele zoom lens kit for any content creation
- Comprehensively upgraded body includes new 25.2 MP high res sensor and new Venus engine with high speed readout
- Upgrades across the board with new hardwear and software culminating in the most capable ever MFT camera
- Capture 5.7K 30p internal video in ProRes 422 HQ and ProRes 422 with no limit internal recording
- New high-precision 5-axis gyro sensor and algorithms with 7.5 stops of stabilisation for class-leading stabilisation
Panasonic Lumix GH6 with Lumix G Vario 12-60mm f/3.5-5.6 Lens Kit Summary
Content creators who demand professional-level video capabilities together with a versatile compact zoom lens can opt for this kit combining the Panasonic Lumix GH6 with Lumix G Vario 12-60mm f/3.5-5.6 Lens Kit. Following many months of development, the results are spectacular culminating in the completely redeveloped flagship GH6 MFT camera body together with the tried and tested Panasonic Lumix G Vario 12-60mm f/3.5-5.6 ASPH Power O.I.S Lens. With a 2x crop factor the lens delivers an equivalent zoom range of 24mm-120mm providing the ability to capture a wide range of subjects and 7.5-stops stabilisation, thanks to a new in-camera 5-axis Dual I.S. 2 unit.
The Lumix camera comes completely overhauled with new hardware including a 25.2 MP Live MOS Sensor and new Venus engine. These deliver wider dynamic range, a lower base ISO, high frame rate 75fps shooting as well as faster readout speeds for video. New features don’t end there with Panasonic including upgrades across the board, from new video assist functions to handheld high res mode 100 megapixel images.
- 5.7K 30p internal video recording in ProRes 422 HQ and ProRes 422
- New 25.2 megapixel Live MOS Sensor without a low pass filter and base ISO 100
- New Venus Engine
- Fully articulating 3.0-inch touch-control monitor and 3,680k-dot OLED EVF
- Up to 75fps in Electronic shutter at full resolution
- magnesium alloy full die-cast front / rear frame with durst and weather sealing
- 5.7K 4:2:0 10-bit 60p/50p and 5.8K 30p/25p/24p 4:2:0 10-bit anamorphic 4:3 modes utilising the full sensor
- 4:2:0 10-bit 4K 120p (equivalent to 5x slow motion) and 4:2:2 10bit FHD 240p HFR (High Frame Rate) video recording with audio
- True Unlimited video recording time in all modes
- New high-precision 5-axis gyro sensor with 7.5 stops of Body I.S. and Dual I.S.2
- Handheld 100 megapixel high-resolution images (RAW + Jpeg)
- Wide 12+ stops dynamic range with Boost Mode to 13+ stops
- V-Log/V-Gamut for the first time (wider than BT.2020)
- V709 LUT (Look Up Table) with Rec.709 standard
- Improved audio with 4 channel 48kHz or 96kHz 24-bit recording with an XLR microphone adaptor
- Video features include Waveform Monitor, Zebra Pattern, Luminance Spot Meter, Frame Marker, Anamorphic Desqueeze Display, Red REC Frame Indicator and Tally lamps
- New Safety Zone Marker and Live MF assist during video recording
- In-camera 4K 60p timelapse videos
- Dual card slots with CFexpress Type B card and SD card
- Full size HDMI Type A
Panasonic Lumix GH6 with Lumix G Vario 12-60mm f/3.5-5.6 Lens Kit in More Detail
Panasonic Lumix G Vario 12-60mm f/3.5-5.6 ASPH Power O.I.S Lens features
This versatile zoom lens can be used as a wide angle (24mm equivalent) through to telephoto lens (120mm equivalent) and as is perfectly suited for any subjects from portraits, interviews and landscape photography, as well as everything in between. Key features include:
- 12-60mm / 24-120mm (full frame equivalent) f/3.5-5.6 wide-angle to telephoto lens
- Ideal for anything from landscape to portrait photography and as a general purpose lens
- 11 elements in 9 groups include 3 aspherical lenses and 1 ED lens
- Circular aperture with 7 diaphragm blades
- Closest focusing distance of just 0.2 metres (wide) and 0.25 metres (telephoto) for added versatility
- 0.27x maximum magnification – 0.54x in full frame equivalent
- Compact 58mm filter size
- Dust and splash-resistant design
Professional Video Performance
Panasonic’s Lumix GH Series meet professional quality levels and standards of video recording. The new Lumix GH6 continues this with 5.7K 30p internal video recording available in ProRes 422 HQ and ProRes 422 for the first time in the Lumix series, using a CFexpress Type B card, which enables non-linear editing without transcoding. With 5.7K 4:2:0 10-bit 60p/50p and 5.8K 30p/25p/24p 4:2:0 10-bit anamorphic 4:3 modes recorded utilising the full area of the sensor, the Lumix GH6 offers higher resolution and higher bit rates than ever before, while delivering the latest in high image quality, versatility, and range needed for film, TV, and all types of video production.
The Lumix GH6 also captures 4:2:2 10-bit Cinema 4K 60p internal recording as well as simultaneous output in 4:2:2 10-bit Cinema 4K 60p over HDMI to an external recorder.
5x slow motion 4:2:0 10-bit 4K 120p and 4:2:2 10bit FHD 240p HFR (High Frame Rate) video recording with audio is available to enable creativity such as speed ramping. FHD maximum 300fps (equivalent to 12.5x slow motion) VFR (Variable Frame Rate) enables dynamic motion of a subject.
Overheating can be a fatal issuer videographers who shoot continuous video recording, especially when the resolution and the frame rates are increased. The Lumix GH6 achieves unlimited video recording time in all modes by optimising the heat-dissipating path with a forced-cooling fan mechanism.
Next-Generation Sensor And Processor
Panasonic has developed a brand new 25.2-megapixel Live MOS Sensor without a Low-pass Filter, which boasts higher resolution and a high-speed signal readout, which reduces rolling shutter and achieves a wide dynamic range.
The new Venus Engine has also been upgraded with advanced image processing technologies to render high-resolution imagery with natural noise and rich colour reproduction, for which Lumix cameras are renowned.
The engine delivers approximately twice the processing power, enabling even higher-speed processing of the new sensor's higher pixel counts and higher-resolution together with higher-bit-rate video. This evolution includes three key technologies: New Intelligent Detail Processing, New 2D Noise Reduction, and High Precision 3D Noise Reduction for video. The new Intelligent Detail Processing detects the flat, detailed, and edged elements in a frame more accurately to produce a highly realistic image. The new 2D Noise Reduction suppresses chromatic noise and improves the texture of luminance noise to achieve clear and natural images even when shot at high sensitivity. With the High Precision 3D Noise Reduction for video, the detection capability of still and moving parts has been advanced, making it possible to optimise noise reduction while minimising afterimages. As a result, the image quality of video with dynamic motion is enhanced. In addition, high-precision Dual 3D Colour Control enhances colour reproduction by brightness level, saturation level and hue level for rich, faithful colour expression.
The combination of the new advanced sensor with enhanced saturation performance and the new engine makes it possible to render a clearer image even in 25.2-megapixel high resolution and lower minimum ISO sensitivity at ISO 100 [Photo: ISO 50 (Extended) - 25600 / Video: ISO 50 (Extended) -12800].
Class Leading Image Stabilisation
For agile handheld shooting the Lumix GH6 adopts a new high-precision 5-axis gyro sensor with a new algorithm to achieve 7.5 stops of Body I.S. and Dual I.S.2.
The 5-axis Dual I.S. 2 works seamlessly to record natural, shake-free video footage, by applying appropriate compensation according to the type of movement, regardless of whether it was generated by panning, tilting, or shake. The B.I.S. compensates for camera movement even when an interchangeable lens without O.I.S. such as a MFT cine lens is being used.
With this powerful image stabilisation 100-megapixel high-resolution images can be shot using the High Resolution mode without needing a tripod.
In High Resolution mode, eight consecutive images are automatically captured while shifting the sensor using the Body I.S. mechanism. The images are synthesised into a 100-megapixel equivalent (11552 x 8672-pixel) image, which faithfully reproduces precise details as beautiful, highly realistic images not only in RAW but also in JPEG.
Wide Dynamic Range
The Lumix GH6 captures 12+ stops of dynamic range with pre-installed V-Log recording, expanding to 13+ stops when using Dynamic Range Boost mode. With this new Boost mode, a highly saturated image is generated, resulting in a clear and smooth HDR video with rich gradation.
The Lumix GH6 also contains V-Log/V-Gamut for the first time in the Lumix G Series Micro Four Thirds camera line-up, which delivers a high dynamic range with broad colours. V-Log renders a very flat image while maintaining all colour information within the image, which allows for a greater level of flexibility during post-production. The GH6’s Live MOS sensor achieves a wide colour gamut known as V-Gamut, which is the GH6’s optimum colour space, and wider than BT.2020.
Users will enjoy the GH6’s accurate colour reproduction, with subtle gradations from dark areas to highlights, and precise control of colour data in post-production.
The camera imports colorimetry from Panasonic’s pro video camera VariCam line-up of cinema cameras, with V709 LUT (Look Up Table) with Rec.709 standard available in the camera by default. For the first time, V-Log View Assist (which can apply LUTs in real-time) supports the import of .CUBE as well as .VLT file formats.
New Audio Recording Capabilities
The Lumix GH6 delivers greatly improved audio performance, with 4ch 48kHz or 96kHz 24-bit recording possible when an XLR microphone adaptor is attached. This provides greater flexibility when shooting outdoors, where multiple audio sources are present, or when recording backup audio. 2ch 48kHz 24-bit recording is also supported with the built-in mic as well as 2ch 96kHz 24-bit high-resolution recording with an external microphone.
The channel to use for headphones can also be switched during video recording and audio menus can be directly accessed with the Fn1 button on the top of the camera to easily check sound levels during 4-channel audio recording.
Improved Workflows With A Host of New Features
The Lumix GH6 offers a host of practical features to enhance content creation workflows. There are a variety of settings in Photo Style including different Cinelike gamma presets such as ‘Cinelike D2’ and ‘Cinelike V2’, which have similar gamma setting characteristics for film production.
Video assist functions such as Waveform Monitor, Zebra Pattern, Luminance Spot Meter, Frame Marker, Anamorphic Desqueeze Display, Red REC Frame Indicator and Tally lamps are also available following requests from professional users.
A Safety Zone Marker has also been added, which shows a guide of 95%, 90% or 80% recording area, while the Centre Marker allows you to choose the type of the marker. In the Colour Temperature Setting, kelvin values can now be displayed on the recording screen. 4K 60p timelapse videos can also be produced in-camera. With the Exposure Levelling function, the exposure is automatically adjusted to prevent large changes in brightness between adjacent frames to produce equable timelapse footage. MF assist during video recording is now supported, enabling the user to enlarge the screen up to 6x to check the focus, culminating in a host of new advanced and practical features.
Intuitive User Experience
The Lumix GH6 has a 3.0-inch tilt and free-angle touch-control monitor with 3:2 aspect and 1,840K-dot resolution. The screen provides greater flexibility and convenient rotation, even with an HDMI cable and USB cable connected to the camera.
To support high precision focusing the camera now includes practical options for manual focusing, which includes linear and non-linear focusing. Sensitivity can be selected from 90 to 360º by 30º increments to customise the focus operation.
The 3,680k-dot 0.76x live viewfinder uses a highly responsive, bright OLED display to capture even fast-moving subjects in fine detail. In addition the high contrast display (approx. 10,000:1) presents the subject with fine gradations and high clarity throughout.
With the new sensor’s higher readout speed and the new Venus Engine’s superior processing power, the Lumix GH6 also delivers AFS burst shooting in electronic shutter at 75fps (frames per second) with full 25.2 megapixel resolution. The sensor’s higher readout speed also minimises rolling shutter distortion capable of capturing images which are too fast for the naked eye to process.
Panasonic continues its commitment to continuous improvement of its Lumix range via performance-enhancing firmware updates. In the future, a firmware update for GH6 will be released to support:
- Cinema 4K ProRes 422 HQ / ProRes 422
- FHD ProRes 422 HQ / ProRes 422
- USB-SSD direct recording
- 4K 120p HDMI Video output during Live View
- Cinema 4K 120p HDMI RAW Video Data Output to ATOMOS Ninja V+
Professional Build Quality
The Lumix GH6 is robust enough to withstand heavy use with its magnesium alloy full die-cast front / rear frame. The body is not only splash-resistant but dust-resistant and freeze-resistant down to -10º Celsius and the shutter unit is durable for approximately 200,000 actuations. The Rec button is located on both the top and front of the camera, which makes it easy to start and stop recording even when shooting at a low angle or with a shoulder rig.
The Lumix GH6 is equipped with two memory card slots. A CFexpress card (Type B) supports internal recording of high bitrate video at 800Mbps or more including 5.7K 30p ProRes 422 HQ and C4K 60p ALL-I.
The SD Memory Card UHS II V90 supports internal recording of video at 600Mbps or less and it is also possible to choose between Relay Recording, Backup Recording or Allocation Recording using both SD Memory Card and CFexpress Card.
A full size HDMI Type A has been added along with a cable lock holder for the HDMI/USB cable to prevent unplugging issues. The camera also supports USB 3.2 Gen 2 for high-speed writing and readout.
The 2200mAh high-capacity battery can be recharged either via AC or USB and complies with USB PD (Power Delivery) when the corresponding Battery Charger DMW-BTC15 is used. The Lumix GH6 is also compatible with Time Code IN/OUT synchronisation through the flash synchro terminal and bundled BNC converter cable with BNC cable. This makes non-linear editing of footage shot with multiple cameras easy.
Both Wi-Fi 5-GHz (IEEE802.11ac) and 2.4-GHz (IEEE802.11b/g/n) are available as required. This provides a secure and stable connection with a smartphone/tablet and also with other devices on location for smooth remote control. Compatibility with Bluetooth 5.0 enables a constant connection with a smartphone or tablet with minimum power consumption. Camera settings can be copied and transmitted wirelessly to other GH6 cameras when using multiple cameras on set. The Lumix Sync application for iOS/Android devices allows remote control of the camera using a smartphone or a tablet via easy wireless connection. In addition to wireless control via a Remote Shutter DMW-RS2 (available separately), application software Lumix Tether enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB, letting them view the image on a large PC screen while shooting.
What’s in the box
- Panasonic Lumix GH6 Mirrorless MFT Camera Body
- Body Cap
- Hot Shoe Cover
- Eye Cup
- Flash Synchro Socket Cap
- Shoulder Strap
- Battery Pack BLK22
- Battery Charger
- AC Adaptor
- USB Connection Cable (A-C)
- Cable Holder
- BNC Converter Cable
- BNC Converter Cable
- Panasonic Lumix G Vario 12-60mm f/3.5-5.6 ASPH Power O.I.S Lens
- Lens Cap
- Lens Hood
- Lens Rear Cap
Panasonic Lumix GH6 with Lumix G Vario 12-60mm f/3.5-5.6 Lens Kit Specifications
|Sensor||Live MOS sensor (17.3 x 13.0 mm)|
|Camera effective pixels / Total pixels||25.21 megapixels / 26.52 megapixels|
|AR (Anti Reflection) coating||Yes|
|Aspect ratio / Color filter||4:3 / Primary color filter|
|Dust reduction system||Image sensor shift type|
|Recording file format||JPEG (DCF, Exif 2.31), RAW|
|Aspect ratio||4:3 / 3:2 / 16:9 / 1:1|
|Image quality||RAW / RAW+Fine / RAW+Standard / Fine / Standard|
|Color space||sRGB, AdobeRGB|
|System frequency||59.94Hz / 50.00Hz / 24.00Hz|
|Image area of video||Full / Pixel by Pixel|
|Type||OLED Live View Finder|
|Pixels||Approx. 3.68 million dots|
|Eye point / Diopter adjustment||Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +3.0 (dpt)|
|Type||TFT LCD monitor with static touch control|
|Monitor size||Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect|
|Pixels||Approx. 1.84 million dots|
|Field of view||Approx. 100%|
|Type||Contrast AF system|
|Focus mode||AFS (Single) / AFC (Continuous) / MF|
|AF detective range||EV -4 - 18 (F2.0, ISO100 equivalent, AFS)|
|AF custom setting||AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction|
|AF assist light||Yes|
|AF lock||Set the Fn button in custom menu to AF lock|
|Light metering system||1,728-zone multi-pattern sensing system|
|Light metering mode||Multiple / Center Weighted / Spot / Highlight Weighted|
|Metering range||EV0-18 (F2.0 lens, ISO100 equivalent)|
|White balance adjustment||Blue/Amber bias, Magenta/Green bias|
|Color temperature setting||2500-10000K in 100K|
|Self timer||10sec, 3 images / 2sec / 10sec / Custom Time|
|Remote control||Remote control by DMW-RS2 (sold separately)|
|Silent mode / Shutter type||Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)|
|AE bracket||3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst|
|Aperture bracket||3, 5 or all positions|
|Focus bracket||1 to 999 images, focus steps can be set in 10 levels|
|Offers: Price Drop|
|Offer Category: N/A|
|Offer Product Type: N/A|
|Model: Panasonic Lumix DC-GH6|
|AE Bracketing: N/A|
|Autofocus Modes: N/A|
|Articulated Screen: N/A|
|Aperture priority: Yes|
|Built-in flash: N/A|
|Battery Life (CIPA): 360|
|Camera CIPA image stabilization rating: N/A|
|Continuous drive (fps): 14|
|Custom white balance: N/A|
|Digital zoom: Yes|
|Effective pixels (megapixels): 25|
|Environmental Sealing: N/A|
|Exposure compensation: N/A|
|External flash: Yes|
|Flash range (metres): N/A|
|Focal length (equiv.): N/A|
|Focal length multiplier: 2|
|Flash modes: N/A|
|HDMI Port: N/A|
|Headphone port: Yes|
|Height (mm): 100|
|Length (mm): N/A|
|Width (mm): 138|
|Weight (g): N/A|
|Weight (inc. batteries) (g): 823|
|Image ratio w:h: N/A|
|Camera Image stabilization: N/A|
|ISO: 100 - 25600|
|JPEG quality levels: Fine, standard|
|Live view: Yes|
|Camera Lens mount: N/A|
|Manual exposure mode: Yes|
|Maximum shutter speed (electronic): N/A|
|Maximum ISO: 25600|
|Maximum ISO (boosted): 25600|
|Max resolution: N/A|
|Maximum shutter speed (seconds): N/A|
|Maximum aperture: N/A|
|Manual focus: Yes|
|Microphone port: Yes|
|Camera Minimum focus distance (cm): N/A|
|Minimum ISO: 100|
|Minimum ISO (boosted): 50|
|Minimum macro focus distance (cm): N/A|
|Minimum shutter speed (seconds): N/A|
|Metering modes: N/A|
|Number of focus points: N/A|
|Number of white balance presets: N/A|
|Optical zoom multiplier: N/A|
|Orientation sensor: Yes|
|Other resolutions: N/A|
|Processor: Venus Engine|
|Remote control: N/A|
|Screen dots: N/A|
|Screen size: N/A|
|Screen type: N/A|
|Shutter priority: Yes|
|Sensor photo detectors (megapixels): 27|
|Sensor size: N/A|
|Sensor type: N/A|
|Storage types: N/A|
|Subject / scene modes: N/A|
|Timelapse recording: Yes|
|Camera Type: N/A|
|Uncompressed format: N/A|
|Camera USB: N/A|
|USB charging: Yes|
|Viewfinder coverage: N/A|
|Viewfinder magnification: N/A|
|Viewfinder resolution: 3686400|
|Viewfinder type: N/A|
|Video formats: N/A|
|Video Mode Categories: N/A|
|Video Modes: N/A|
|WB Bracketing: N/A|
When Panasonic first announced the GH6 expectations were high and this lens kit arrives delivering on all of these and far more. It comes with the Lumix G Vario 12-60mm f/3.5-5.6 ASPH Power O.I.S Lens providing an equivalent 24-120mm zoom, providing a compact wide-angle to short telephoto range. The camera has an all-new sensor with a higher resolution than any other MFT body, which is paired with a new Venus imaging processor resulting in a series of improvements across both stills and video. These include a higher base ISO 100, wider 12+ stops dynamic range, which can be extended to 13+ stops with a new boost mode as well as faster shooting capabilities.
With previous models being renowned for their stabilisation, Panasonic had to once again deliver, which they have with the inclusion of a new gyro sensor and associated algorithms. These work in tandem with the kit lens providing 7.5-stops of I.S. for class-leading stabilised footage, which is capable of sensing which type of corrections are required. When you’re using a telephoto lens this level of IS adds confidence that your content will be as smooth as the very best available from any system.
The list of updates is so comprehensive that we are certain MFT shooters will be flocking to the GH6 with a choice between not only this lens kit, but two others, as well as a huge existing ecosystem for limitless creative potential.
Would you like to give any feedback about this page?Complete our feedback form
Writing your review
Sign In / Register
Existing Customer Login
If you are already a member, fill in the details below to login & view your account.
New Customer Signup
Create an account with Park CamerasRegister
Our used products are subject to wear and tear in comparison to brand new products. This also applies to accessories that are supplied with the camera including batteries which may have a lower optimum performance level/life expectancy.
- Like New – The equipment is in a condition as if you have just bought it from the manufacturer. The item is still considered to be ‘Like New’ even without the original packaging and accessories. The product has been fully tested and is in perfect working order. Lenses are optically clear. There may be light dust present that will not effect the imagery.
- Excellent – The equipment should be close to being ‘Like New’ but there may be some small cosmetic blemishes that lower its grade. The product has been fully tested and is in perfect excellent order.
- Cameras – Should have no marks on the LCD screen
- Lenses – Should have no marks on the elements and optically clear. There may be light dust present that will not effect the imagery.
- Very Good – The equipment may have some slight cosmetic wear to the paintwork and cosmetic blemishes with only light signs of use and the product has been fully tested and is in great working order.
- Cameras – The LCD screen may have small signs of wear that does not affect its display
- Lenses – The mount of the lens will start to show signs of wear
- Good – The equipment is showing more obvious signs of cosmetic wear and blemishes, but the product has been fully tested and is in great working order.
- Cameras – LCD screen may have scratches or wear that is starting to affect the display.
- Lenses – May have slight dust inside that does not affect images. The mount shows signs of use.
- Well Used – The equipment will show significant signs of wear. The paintwork will be coming away in large areas exposing the metal work, but the product has been fully tested and is in great working order.
- Cameras – LCD screen is heavily worn either by de-lamination or has scratches to it. Rubber grips are starting to come away from the body.
- Lenses – The lens has dust inside that may affect images. The rubber zoom/focus ring is coming away from the barrel of the lens.
*All of our used items are listed with the accesories that are included. If they are not listed then they will not be supplied at eh epoint of purchase.