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Sigma 85mm F1.2 DG Art Lens for L-Mount

Sigma 85mm F1.2 DG Art Lens for L-Mount

Sigma 85mm F1.2 DG Art Lens for L-Mount
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Product Code: G242509A

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The Sigma 85mm F1.2 DG Art for L-Mount combines exceptional control over focus and available light with refined portrait rendering, bringing a fast professional prime to Sigma, Lumix and Leica full-frame cameras.

Pre-order today for first available UK stock. First deliveries from late Sep.

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We Love

  • Beautiful portrait rendering with precise control over where attention falls
  • A manageable wide aperture option for weddings and events
  • Works with LUMIX S, Leica SL and Sigma BF cameras
  • Smooth manual aperture control makes equal sense for filmmaking
  • A short-telephoto perspective that complements other Art primes
Reasons to buy from Park Cameras

Key Features

  • Premium Art-series portrait lens for full-frame L-Mount cameras
  • High resolving power from maximum aperture
  • 13-blade rounded diaphragm for refined defocus
  • Dual HLA actuators provide fast and quiet AF
  • Class-leading weight supports extended handheld shooting
  • Two AFL buttons for direct access to assigned camera functions
  • Lockable aperture ring with click/de-click operation
  • Focus breathing suppressed for smoother video transitions
  • Dust and splash-resistant construction
  • Water- and oil-repellent coating on the front element

Product Summary

Portraiture is where this 85mm really comes into its own. The combination of a short-telephoto perspective and wide aperture lets you place attention exactly where you want it, from the eyes in a close portrait to a fleeting expression during a wedding, while distracting surroundings recede into smooth defocus.

There is equally good reason to keep it mounted as daylight disappears. The bright aperture provides more freedom to work with ambient illumination at receptions, performances and evening events, while the optical design maintains strong detail at maximum aperture rather than requiring you to stop down to find its best rendering.

For L-Mount photographers, it also brings that character to an unusually broad choice of full-frame bodies. Sigma, Panasonic Lumix and Leica cameras share the same mount, allowing photographers to build around their preferred body while retaining the same premium Art glass.

Despite the ambitious specification, this isn’t an optic that has to stay in the bag until a carefully planned portrait session. At 905g, Sigma has kept the weight unusually low for its class, while the floating mechanism and responsive focusing make it practical for people who rarely stay exactly where you put them.

This completes the F1.2 trio along with the 35mm F/1.2 DG II Art and 50mm F/1.2 DG DN Art, spanning wide, standard and short-telephoto perspectives.

In More Detail

Advanced optics driving artistic rendering

The optical design uses 17 elements in 12 groups, including two SLD and three aspherical elements, together with glass featuring high anomalous dispersion. These suppress axial chromatic aberration, spherical aberration and sagittal coma flare, maintaining high resolving power from f/1.2 so fine expression and texture remain clearly rendered at maximum aperture.

Portrait rendering and natural bokeh

With depth of field this shallow, the transition matters as much as the blur itself. Sigma suppresses colour bleeding and double-line bokeh so sharp detail falls naturally into defocused areas, while the 13-blade diaphragm maintains rounded highlights as the aperture closes. The subject holds presence while the background gently falls away.

Working with backlight

Flare and ghosting have been addressed using advanced simulation of incident light, helping to retain clarity when shooting towards strong illumination. That gives photographers more freedom to incorporate window light, low sun or stage lighting into the composition.

Sophisticated focusing in a smaller design

Placing aspherical elements within the focus groups significantly reduces the number of elements that need to move, allowing a complex floating mechanism to be incorporated while keeping the overall design manageable. Dual HLA actuators drive the system quickly and quietly.

Physical controls for stills and video

Two AFL buttons can be assigned to different functions through compatible camera menus, while the aperture ring includes both a lock and click/de-click switch. These provide direct control whether shooting stills or changing exposure smoothly during video capture.

Natural focus transitions for video

The focus-group arrangement and aspherical shapes are optimised to minimise changes in angle of view as focus shifts. This suppression of focus breathing produces more natural-looking transitions when moving between subjects during a shot.

Built for professional use

High-strength TSC components provide rigidity while helping to control weight, complemented by a dust and splash-resistant structure and water- and oil-repellent coating on the front element. It is equipped for demanding outdoor assignments, although the construction is explicitly not waterproof.

Learn more in our 85mm F1.2 DG Art Review where wee have more sample images, and compare it to the F1.4.


Frequently Asked Questions

Do I need f/1.2, or is f/1.4 enough?

For many photographers, f/1.4 is fast enough. The wider aperture becomes more compelling when very shallow depth of field and available-light photography are central to your style, providing greater scope for separation and working as illumination falls.

Why choose 85mm rather than 50mm for portraits?

The longer focal length provides greater working distance and tighter compositions, making it particularly useful for headshots, portraits and details. A 50mm includes more of the surroundings, which can suit environmental images where context is important.

Which L-Mount cameras can I use it with?

It is compatible with L-Mount cameras, including Panasonic LUMIX S Series, Leica SL-System and Sigma models such as the BF, giving photographers access to the same optic across several full-frame camera systems.

How does it differ from the L-Mount 85mm F1.4 DG DN Art?

The F1.4 is considerably lighter at 630g and uses a stepping motor, while this model weighs 905g and employs dual HLA actuators. The decision therefore comes down to whether the additional creative scope of f/1.2 and the newer focusing system justify carrying the larger, heavier option.

Sample images

sigma-85-12-sample-01-pdp

Sample 01 ©Doãn Quang. Settings: 1/500 sec. f/1.2. ISO 50

sigma-85-12-sample-02-pdp

Sample 02 ©Doãn Quang. Settings: 1/160 sec. f/4.5. ISO 125

sigma-85-12-sample-03-pdp

Sample 03 ©Tony Noel. Settings: 1/16000 sec. f/1.2. ISO 100

sigma-85-12-sample-04-pdp

Sample 04 ©Kazuyuki Hagiwara. Settings: 1/2500 sec. f/1.2. ISO 160

Specifications

Product Name

Sigma 85mm F1.2 DG | Art

Product Line

Art

Mount

Leica L-Mount

Format

Full-frame

Focal Length

85mm

Maximum Aperture

f/1.2

Minimum Aperture

f/16

Lens Construction

17 elements in 12 groups

SLD Glass

2 elements

Aspherical Elements

3 elements

Angle of View

28.6°

Diaphragm Blades

13

Diaphragm

Rounded

Minimum Focusing Distance

0.84m

Maximum Magnification

1:8.9

Autofocus Motor

Dual HLA (High-response Linear Actuator)

Focus Mechanism

Floating

Aperture Ring

Yes

Aperture Ring Lock Switch

Yes

Aperture Ring Click Switch

Yes

AFL Buttons

2

Focus Breathing

Suppressed

Dust and Splash Resistance

Yes

Front Element Coating

Water and oil repellent

Filter Size

82mm

Maximum Diameter

87.2mm

Length

119.7mm

Weight

905g

Edition Number

A026

What's in the Box

  • Sigma 85mm F1.2 DG | Art
  • Pouch
  • LH878-08 lens hood
  • LCF-82 IV front cap
  • LCR III rear cap
Offers: N/A
Offer Category: N/A
Offer Product Type: N/A
Autofocus: N/A
Aperture ring: N/A
Constant Aperture: N/A
Lens CIPA Image stabilization rating: N/A
Colour: N/A
Diameter (mm): N/A
Length (mm): N/A
Weight (g): N/A
Distance scale: N/A
DoF scale: N/A
Elements: N/A
Environmental Sealing: N/A
Focus distance limiter: N/A
Focal length: 85 mm
Focus method: N/A
Filter Thread: N/A
Full time manual: N/A
Groups: N/A
Hood supplied: N/A
Lens Image stabilization: N/A
Lens mount: N/A
Lens Materials: N/A
Maximum focal length: 85.0
Maximum magnification: N/A
Maximum aperture (number): N/A
Maximum aperture (text): N/A
Max Format size: N/A
Minimum focal length: 85.0
Lens Minimum focus distance (m): N/A
Minimum aperture (number): N/A
Minimum aperture (text): N/A
Motor type: N/A
Number of diaphragm blades: N/A
Power zoom: N/A
Special elements / coatings: N/A
Tripod collar: N/A
Lens type: N/A
Wide/Tele: N/A
Level: N/A
Year Of Release: N/A
Best For: N/A
Best For Holiday and Landscape: N/A
Best For Interior and Architecture: N/A
Best For Fashion and Portrait: Yes
Best For Macro and Still Life: N/A
Best For Astro: N/A
Best For Street: N/A
Best For Wildlife and Sport: N/A
Zoom lock: N/A
Zoom method: N/A
Notes: N/A

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Condition guide

Our used products are subject to wear and tear in comparison to brand new products. This also applies to accessories that are supplied with the camera including batteries which may have a lower optimum performance level/life expectancy.

  • Like New – The equipment is in a condition as if you have just bought it from the manufacturer. The item is still considered to be ‘Like New’ even without the original packaging and accessories. The product has been fully tested and is in perfect working order. Lenses are optically clear. There may be light dust present that will not effect the imagery.
  • Excellent – The equipment should be close to being ‘Like New’ but there may be some small cosmetic blemishes that lower its grade. The product has been fully tested and is in perfect excellent order.
    • Cameras – Should have no marks on the LCD screen
    • Lenses – Should have no marks on the elements and optically clear. There may be light dust present that will not effect the imagery.
  • Very Good – The equipment may have some slight cosmetic wear to the paintwork and cosmetic blemishes  with only light signs of use and the product has been fully tested and is in great working order.
    • Cameras – The LCD screen may have small signs of wear that does not affect its display
    • Lenses – The mount of the lens will start to show signs of wear
  • Good – The equipment is showing more obvious signs of cosmetic wear and blemishes, but the product has been fully tested and is in great working order.
    • Cameras – LCD screen may have scratches or wear that is starting to affect the display.
    • Lenses – May have slight dust inside that does not affect images. The mount shows signs of use.
  • Well Used – The equipment will show significant signs of wear. The paintwork will be coming away in large areas exposing the metal work, but the product has been fully tested and is in great working order.
    • Cameras – LCD screen is heavily worn either by de-lamination or has scratches to it. Rubber grips are starting to come away from the body.
    • Lenses – The lens has dust inside that may affect images. The rubber zoom/focus ring is coming away from the barrel of the lens.

*All of our used items are listed with the accessories that are included. If they are not listed, then they will not be supplied at the point of purchase.

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Checked and Approved Stock

Park Approved Stock

Our used stock goes through a rigorous quality process. Each item is carefully inspected by our experienced specialists during the trade-in process and checked again before being listed for sale. This ensures you can shop with total peace of mind, knowing your gear has been thoroughly tested and approved.

12 Month Warranty

Upto 12 Month Warranty

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14 Day Returns Policy

When you purchase a Used item, you have a 14-day returns policy if the item isn’t as described. Enjoy peace of mind while getting great value on pre-owned gear!

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Fast and easy trade in service ensures your old gear is collected efficiently and you are paid quickly! It's very simple to trade in your unwanted photography gear. Just head over to our dedicated Sell or Part Exchange page, fill out the details, and we'll get back to you with an offer for your old gear. Take the cash, or put it towards the cost of your new gear. It's up to you! Find out more

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