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Sony FX5 XLR Handle Unit
Product Code: 7680127F
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The Sony FX5 XLR Handle Unit adds two balanced XLR/TRS inputs with Mic, Line and +48V phantom power, supporting up to 96kHz 32-bit float recording while improving handheld operation for the Sony FX5.
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Pre-order today for first available UK stock. First deliveries from early Aug.
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Key Features
- Adds two balanced XLR/TRS audio inputs to the Sony FX5
- Digital connection through the Multi Interface Shoe
- Selectable Mic, Line and +48V phantom power
- Supports up to 96kHz, 32-bit float recording
- Independent physical controls for each audio channel
- Connects professional microphones, wireless receivers and external audio sources
- Integrated top handle improves handheld operation
- Available separately for the Sony FX5 body
Sony FX5 XLR Handle Unit Summary
The Sony FX5 XLR Handle Unit expands the FX5 Compact Cinema Line Camera with professional audio connectivity and improved handheld operation. Connecting digitally through the camera’s Multi Interface Shoe, it adds two balanced XLR/TRS inputs with selectable Mic, Line and +48V phantom power for professional microphones, wireless receivers and external audio sources without requiring additional interface cables.
Supporting up to 96kHz, 32-bit float recording, the Handle Unit captures a wide dynamic range while reducing the need for precise manual gain adjustment. Independent physical controls for each channel provide rapid access to audio settings during recording, making it well suited to documentary, ENG, commercial, corporate and live event productions.
Available separately for FX5 body owners, it delivers the same professional audio capability supplied with the Sony FX5 Compact Cinema Line Camera with XLR Handle kit.
Sony FX5 XLR Handle Unit In More Detail
Professional Audio Integration
The Sony FX5 XLR Handle Unit transforms the FX5 into a fully featured production camera by adding professional audio inputs without increasing the complexity of the recording workflow. Rather than relying on external audio interfaces or field recorders, the Handle Unit connects directly through the camera’s Multi Interface Shoe, providing a clean digital connection while avoiding additional interface cables.
Two XLR/TRS Inputs
The Handle Unit provides two balanced XLR/TRS combination inputs with selectable Mic, Line and +48V phantom power, supporting shotgun, handheld interview and boom microphones, wireless receiver systems and external mixers. Dedicated physical controls allow each channel to be adjusted independently for fast changes while filming without interrupting the camera workflow.
96kHz 32-bit Float Recording
Support for up to 96kHz, 32-bit float recording captures a broad dynamic range while reducing the risk of clipped peaks or lost low-level detail compared with conventional fixed-bit recording. This provides greater flexibility when recording dialogue, live performances and unpredictable sound levels, reducing the need for precise gain adjustment while preserving more usable audio during post-production.
Improved Handheld Operation
As well as expanding the camera’s audio capability, the integrated top handle provides a more secure grip for handheld operation, low-angle shooting and carrying the camera between locations. Multiple mounting points allow microphones, wireless receivers and other accessories to be attached while maintaining a compact, well-balanced rig for documentary, broadcast, commercial and event filmmaking.
Frequently Asked Questions
Is this the same Handle supplied with the Sony FX5 with XLR Handle kit?
Yes. This is the same as supplied with the Sony FX5 Compact Cinema Line Camera with XLR Handle and is available separately for users who purchase the camera body on its own.
Is this the same XLR Handle Unit used on previous Sony Cinema Line cameras?
No. This is a newly developed XLR Handle Unit for the Sony FX5. Sony states that the previous XLR-H1 is not compatible because the mounting screw positions differ.
Do I need the XLR Handle Unit to record audio on the FX5?
No. The FX5 records usable audio without the handle fitted. The XLR Handle Unit is required when using balanced XLR microphones, phantom power or up to 96kHz, 32-bit float recording.
What audio inputs does the Sony FX5 XLR Handle Unit provide?
The Handle Unit adds two balanced XLR/TRS combination inputs with selectable Mic, Line and +48V phantom power for professional microphones, wireless receivers and external audio equipment.
How does the XLR Handle Unit connect to the FX5?
The Handle Unit connects digitally through the camera’s Multi Interface Shoe, allowing audio signals and camera communication without requiring additional interface cables.
Can I use wireless microphone receivers with the Handle Unit?
Yes. Professional wireless receiver systems with compatible XLR outputs can be connected directly to either XLR/TRS input, making the Handle Unit suitable for interviews, documentary production and location sound recording.
Sony FX5 XLR Handle Unit Specifications
|
Compatible camera |
Sony FX5 |
|
Camera connection |
Multi Interface Shoe (digital) |
|
Audio inputs |
Two balanced XLR/TRS combination inputs |
|
Input types |
Mic / Line selectable |
|
Phantom power |
+48V |
|
Audio recording |
Up to 96kHz, 32-bit float (camera dependent) |
|
Audio channels |
Two-channel recording |
|
Audio controls |
Independent physical controls for each channel |
|
Mounting |
Integrated top handle with accessory mounting points |
|
Accessory support |
Professional microphones, wireless receivers, external audio sources |
What’s in the Box
- XLR Handle Unit
- Handle Shoe Cap
- Accessory Shoe Kit
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Condition guide
Our used products are subject to wear and tear in comparison to brand new products. This also applies to accessories that are supplied with the camera including batteries which may have a lower optimum performance level/life expectancy.
- Like New – The equipment is in a condition as if you have just bought it from the manufacturer. The item is still considered to be ‘Like New’ even without the original packaging and accessories. The product has been fully tested and is in perfect working order. Lenses are optically clear. There may be light dust present that will not effect the imagery.
- Excellent – The equipment should be close to being ‘Like New’ but there may be some small cosmetic blemishes that lower its grade. The product has been fully tested and is in perfect excellent order.
- Cameras – Should have no marks on the LCD screen
- Lenses – Should have no marks on the elements and optically clear. There may be light dust present that will not effect the imagery.
- Very Good – The equipment may have some slight cosmetic wear to the paintwork and cosmetic blemishes with only light signs of use and the product has been fully tested and is in great working order.
- Cameras – The LCD screen may have small signs of wear that does not affect its display
- Lenses – The mount of the lens will start to show signs of wear
- Good – The equipment is showing more obvious signs of cosmetic wear and blemishes, but the product has been fully tested and is in great working order.
- Cameras – LCD screen may have scratches or wear that is starting to affect the display.
- Lenses – May have slight dust inside that does not affect images. The mount shows signs of use.
- Well Used – The equipment will show significant signs of wear. The paintwork will be coming away in large areas exposing the metal work, but the product has been fully tested and is in great working order.
- Cameras – LCD screen is heavily worn either by de-lamination or has scratches to it. Rubber grips are starting to come away from the body.
- Lenses – The lens has dust inside that may affect images. The rubber zoom/focus ring is coming away from the barrel of the lens.
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