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Sony FR7 Cinema Line PTZ Camera

Sony FR7 Cinema Line PTZ Camera

Product Code: 7634632F

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The Sony FR7 Cinema Line PTZ Camera is the world's first full-frame PTZ camera with interchangeable lenses and remote shooting functionality, offering a new world of possibilities for professional content creators.

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Sony FR7 Cinema Line PTZ Camera Summary

A full-frame image sensor, a broad line-up of interchangeable lenses, and the look and operability of Sony's renowned digital cinema cameras – the FR7 brings outstanding professional performance to the PTZ (pan-tilt-zoom) format. With its unique perspective and capabilities, it will change the way visual content is made.

  • The world's first full-frame interchangeable-lens camera with remote pan, tilt and zoom (PTZ)
  • Back-illuminated 35 mm full-frame CMOS image sensor and BIONZ XR™ processing
  • Innovative full-remote control via Web App, or hardware control via RM-IP500
  • Powerful expression from a 15+ stop latitude, plus colour matching with other Cinema Line cameras
  • Up to 100 preset camera positions to be memorised with Web App and optional RM-IP500

Remote control for creative camera placement

With its integrated, remotely controllable pan and tilt mechanism, the FR7 can be mounted on the ceiling or in other out-of-the-way locations. Follow your subjects or instantly recall pre-composed shot framings, for unprecedented creative potential.

Innovative remote control

With a newly developed Web App that enables easy access via QR code or URL input, you can set up the FR7 from a tablet or a PC through a web browser1. You can also use the optional RM-IP5002 for precise joystick-controlled pan, tilt and zoom operation3.

Advanced technology for cinematic expression

Bearing the Cinema Line name, the FR7 incorporates key features that support cinematic expression. The FR7 features a back-illuminated 35 mm full-frame CMOS image sensor for the first time4 in a pan, tilt and zoom (PTZ) camera. Also the BIONZ XR™ contributes to superb image quality with high sensitivity, smooth gradations, and true-to-life colour.

Limitless creativity with E-mount lenses

The FR7 features Sony's E-mount and can be used with all E-mount lenses5. These include the superlative G Master series, known for its stunning resolution and beautiful bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm6 gives you comprehensive creative control.

Cinema Line image quality

The FR7's "Cinema Line" name identifies it as part of a renowned line-up of creative tools designed to unleash the true power of visual storytelling. It provides Custom and Cine EI modes that adjust camera operation to your workflow while maintaining consistency with other Cinema Line cameras.

Staggering latitude for powerful expression

The FR7 offers wide 15+ stop latitude7 to prevent blown highlights and crushed shadows. In Cine EI mode, base sensitivity can be set to either ISO 800 or 12800 for a consistent look regardless of lighting conditions.

Astounding image quality in low light

The FR7 offers cleaner images in low light by taking full advantage of the sensor’s size and high sensitivity. ISO can be expanded as far as ISO 4096008 when shooting in extremely low light conditions such as live concerts.

Slow motion for extensive creative possibilities

Smooth 5x slow motion provides extensive creative possibilities, making every moment clearer and more dramatic. The FR7 allows internal slow-motion capture at up to 120 fps9 in 4K10 resolution, and up to 240 fps in full HD.

4K 60p 4:2:2 10-bit output

The FR7 supports clean, high-quality output via its HDMI and SDI OUT connectors. This makes it possible to record Apple ProRes 422 or Avid DNxHR®11 in 4K 60p 4:2:2 10-bit format with compatible external recorders via an HDMI or SDI cable.

Support for S-Log3/S-Gamut3

The optional S-Log3 gamma curve and S-Gamut3.Cine let you capture the full colour gamut and dynamic range available to the sensor. They enable the retention of information in both highlights and shadows for flexibility in post-production.

All-Intra recording for precise motion capture

The FR7 is capable of 4K internal recording with 10-bit depth and 4:2:2 colour sampling with All-Intra and Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.

An instant cinematic look with S-Cinetone™

S-Cinetone produces the natural mid-tones essential to healthy-looking skin, plus soft colours and gorgeous highlights. Beautiful cinematic images can be created in-camera, without extra colour grading.

Sony FR7 Cinema Line PTZ Camera Specifications

General  
LENS MOUNT E-mount
Size & Weight  
WEIGHT (MAIN UNIT ONLY) (APPROX.) Approx. 4.6 kg (10 lb 2.3 oz.) (body only)
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.) Approx. 227 x 289 x 233 mm (9 x 11 1/2 x 9 1/4 inch) (body without protrusions)
Power  
POWER REQUIREMENTS DC 19.5 V, PoE++ (IEEE802.3bt Type 4 Class 8 comliant) 41.1 V~57.0 V
POWER CONSUMPTION ≦80 W (DC 19.5 V) / ≦71.3 W (PoE++)
Operation  
OPERATING TEMPERATURE 0 °C to 40 °C (32 °F to 104 °F)
STORAGE TEMPERATURE -20 °C to +60 °C (-4 °F to +140 °F)
CEILING MOUNT Yes (with Ceiling Bracket option)
TALLY LAMP Left (x1)/Right (x1), Red/Green
Recording Format (Audio)  
RECORDING FORMAT (AUDIO) LPCM 24 bits, 48 kHz, 4 channels
Recording/Playback Time  
PROXY AUDIO XAVC Proxy: AAC-LC, 128 kbps, 2 channels
PROXY VIDEO XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920 x 1080, 9 Mbps
Camera Section  
SENSOR TYPE 35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
PIXELS Approx. 12.9 megapixels (total), Approx. 10.3 megapixels (effective)
BUILT-IN OPTICAL FILTERS Clear, linear variable ND (1/4ND to 1/128ND)
SENSITIVITY ISO 800/12800 (Cine EI mode, D55 Light source)
SHUTTER SPEED 64 frame to 1/8000 sec.
Slow & Quick Motion  
XAVC-I 4096 x 2160: 1 to 60 frames (59.94/50/29.97/25/24/23.98)
White Balance  
WHITE BALANCE MODES Preset, Memory A (2000K-15000K)/ATW
Exposure  
GAIN CONTROL -3 to 30 dB (every 1dB), AGC
Gamma  
GAMMA CURVE SDR Mode: S-Cinetone, Standard, Still, ITU709 / HDR mode : HLG_Live, HLG_Natural
Latitude  
LATITUDE 15+ stop

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Condition guide

Our used products are subject to wear and tear in comparison to brand new products. This also applies to accessories that are supplied with the camera including batteries which may have a lower optimum performance level/life expectancy.

  • Like New – The equipment is in a condition as if you have just bought it from the manufacturer. The item is still considered to be ‘Like New’ even without the original packaging and accessories. The product has been fully tested and is in perfect working order. Lenses are optically clear. There may be light dust present that will not effect the imagery.
  • Excellent – The equipment should be close to being ‘Like New’ but there may be some small cosmetic blemishes that lower its grade. The product has been fully tested and is in perfect excellent order.
    • Cameras – Should have no marks on the LCD screen
    • Lenses – Should have no marks on the elements and optically clear. There may be light dust present that will not effect the imagery.
  • Very Good – The equipment may have some slight cosmetic wear to the paintwork and cosmetic blemishes  with only light signs of use and the product has been fully tested and is in great working order.
    • Cameras – The LCD screen may have small signs of wear that does not affect its display
    • Lenses – The mount of the lens will start to show signs of wear
  • Good – The equipment is showing more obvious signs of cosmetic wear and blemishes, but the product has been fully tested and is in great working order.
    • Cameras – LCD screen may have scratches or wear that is starting to affect the display.
    • Lenses – May have slight dust inside that does not affect images. The mount shows signs of use.
  • Well Used – The equipment will show significant signs of wear. The paintwork will be coming away in large areas exposing the metal work, but the product has been fully tested and is in great working order.
    • Cameras – LCD screen is heavily worn either by de-lamination or has scratches to it. Rubber grips are starting to come away from the body.
    • Lenses – The lens has dust inside that may affect images. The rubber zoom/focus ring is coming away from the barrel of the lens.

*All of our used items are listed with the accesories that are included. If they are not listed then they will not be supplied at eh epoint of purchase.

Used team

Peace of mind with our 6 month warranty

This product has been thoroughly tested by our team of photographers and we are happy to give a 6 month warranty as a result. The number of tests depends on the individual product but we are confident in this product having tested all the major functions. Anything that isn’t as you would expect, we then make a note of and show this in the condition notes on the page.

So you can be confident you are buying a great piece of kit that’s been looked after by a fellow photographer and seen many extraordinary sights, tested by our team of photographers and now looking forward to being set free to capture more great images!

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