Sigma 85mm F1.2 DG Art Lens for Sony E
The Sigma 85mm F1.2 DG Art for Sony E delivers razor-thin subject separation, serious low-light capability and beautiful rendering, along with fast dual HLA autofocus in a surprisingly portable professional prime.
Pre-order today for first available UK stock. First deliveries from late Sep.
Earn 0 Park Points
We Love
- Creates a distinctive look that gives portraits unique character
- Surprisingly manageable for such an ambitious optic
- Responsive for weddings, events and spontaneous subject photography
- Comprehensive controls that work equally well for stills and moviemaking
- Completes the trio across wide, standard and short-telephoto
Key Features
- Premium medium-telephoto Art prime for full-frame cameras
- High resolving power from maximum aperture
- 13-blade rounded diaphragm
- Dual HLA actuators for fast, quiet and precise AF
- Class-leading 905g weight for easier handheld use
- Two AFL buttons plus aperture lock and click/de-click controls
- Suppressed focus breathing for natural video transitions
- Dust and splash-resistant construction
- Water- and oil-repellent front coating
- Completes Sigma’s trio alongside the 35mm and 50mm models
Product Summary
This lens earns its place on rendering. Wide open, it gives you precise control over depth of field, isolating a glance, expression or portrait details while the surroundings fall smoothly away.
That aperture also means freedom with light. Weddings move from bright exteriors to dim receptions, while events shift between lighting and shadow. At f/1.2 there is greater scope to preserve the atmosphere, backed by high resolving power at maximum aperture for which the Art-series is know. A 13-blade rounded diaphragm renders smooth, natural bokeh.
It’s also the third member of a professional trio of primes spanning popular focal lengths. Alongside the 35mm F1.2 DG II Art and 50mm F1.2 DG DN Art, it completes set for weddings, events, portraits and performance, with three distinct perspectives and the creative possibilities of f/1.2 throughout.
At 905g, this remains remarkably portable for an f/1.2 prime, while a floating focus system and dual HLA autofocus provide the speed and precision needed when subjects move through an exceptionally shallow plane of focus.
In More Detail
Advanced optics driving artistic rendering
The optical design uses 17 elements in 12 groups, including two SLD and three aspherical elements, together with glass featuring high anomalous dispersion. These suppress axial chromatic aberration, spherical aberration and sagittal coma flare, maintaining high resolving power from f/1.2 so fine expression and texture remain clearly rendered at maximum aperture.
Portrait rendering and natural bokeh
With depth of field this shallow, the transition matters as much as the blur itself. Sigma suppresses colour bleeding and double-line bokeh so sharp detail falls naturally into defocused areas, while the 13-blade diaphragm maintains rounded highlights as the aperture closes. The subject holds presence while the background gently falls away.
Working with backlight
Flare and ghosting have been addressed using advanced simulation of incident light, helping to retain clarity when shooting towards strong illumination. That gives photographers more freedom to incorporate window light, low sun or stage lighting into the composition.
Sophisticated focusing in a smaller design
Placing aspherical elements within the focus groups significantly reduces the number of elements that need to move, allowing a complex floating mechanism to be incorporated while keeping the overall design manageable. Dual HLA actuators drive the system quickly and quietly.
Physical controls for stills and video
Two AFL buttons can be assigned to different functions through compatible camera menus, while the aperture ring includes both a lock and click/de-click switch. These provide direct control whether shooting stills or changing exposure smoothly during video capture.
Natural focus transitions for video
The focus-group arrangement and aspherical shapes are optimised to minimise changes in angle of view as focus shifts. This suppression of focus breathing produces more natural-looking transitions when moving between subjects during a shot.
Built for professional use
High-strength TSC components provide rigidity while helping to control weight, complemented by a dust and splash-resistant structure and water- and oil-repellent coating on the front element. It is equipped for demanding outdoor assignments, although the construction is explicitly not waterproof.
Learn more in our comprehensive 85mm F1.2 DG Art Review where wee have more sample images, and compare it to the F1.4.
Frequently Asked Questions
Do I need f/1.2, or is f/1.4 enough?
For many photographers, f/1.4 is fast enough. The wider aperture becomes more compelling when very shallow depth of field and available-light photography are central to your style, providing greater scope for separation and working as illumination falls.
Why choose 85mm rather than 50mm for portraits?
The longer focal length provides greater working distance and tighter compositions, making it particularly useful for headshots, portraits and details. A 50mm includes more of the surroundings, which can suit environmental images where context is important.
Is the weight manageable for weddings and events?
At 905g it is substantial compared with many slower primes, but unusually light for its specification. It is the lightest autofocus 85mm f/1.2 for full-frame mirrorless cameras as of September 2026.
How does autofocus compare with the 85mm F1.4 DG DN Art?
The F1.4 model uses a stepping motor, whereas this version employs dual HLA actuators. The newer system is intended to provide fast, quiet and precise tracking, particularly useful when following movement through a very shallow plane of focus.
Can I use the aperture ring smoothly when recording video?
Yes. A dedicated click switch allows the ring to operate without click stops, while a separate lock helps prevent accidental changes.
Sample images

Sample 01 ©Doãn Quang. Settings: 1/500 sec. f/1.2. ISO 50

Sample 02 ©Doãn Quang. Settings: 1/160 sec. f/4.5. ISO 125

Sample 03 ©Tony Noel. Settings: 1/16000 sec. f/1.2. ISO 100

Sample 04 ©Kazuyuki Hagiwara. Settings: 1/2500 sec. f/1.2. ISO 160
Specifications
|
Product Name |
Sigma 85mm F1.2 DG | Art |
|
Product Line |
Art |
|
Mount |
|
|
Format |
Full-frame |
|
Focal Length |
85mm |
|
Maximum Aperture |
f/1.2 |
|
Minimum Aperture |
f/16 |
|
Lens Construction |
17 elements in 12 groups |
|
SLD Glass |
2 elements |
|
Aspherical Elements |
3 elements |
|
Angle of View |
28.6° |
|
Diaphragm Blades |
13 |
|
Diaphragm |
Rounded |
|
Minimum Focusing Distance |
0.84m |
|
Maximum Magnification |
1:8.9 |
|
Autofocus Motor |
Dual HLA (High-response Linear Actuator) |
|
Focus Mechanism |
Floating |
|
Aperture Ring |
Yes |
|
Aperture Ring Lock Switch |
Yes |
|
Aperture Ring Click Switch |
Yes |
|
AFL Buttons |
2 |
|
Focus Breathing |
Suppressed |
|
Dust and Splash Resistance |
Yes |
|
Front Element Coating |
Water and oil repellent |
|
Filter Size |
82mm |
|
Maximum Diameter |
87.2mm |
|
Length |
121.7mm |
|
Weight |
905g |
|
Edition Number |
A026 |
What's in the Box
- Sigma 85mm F1.2 DG | Art
- Pouch
- LH878-08 lens hood
- LCF-82 IV front cap
- LCR III rear cap
| Offers: N/A |
| Offer Category: N/A |
| Offer Product Type: N/A |
| Autofocus: N/A |
| Aperture ring: N/A |
| Constant Aperture: N/A |
| Lens CIPA Image stabilization rating: N/A |
| Colour: N/A |
| Diameter (mm): N/A |
| Length (mm): N/A |
| Weight (g): N/A |
| Distance scale: N/A |
| DoF scale: N/A |
| Elements: N/A |
| Environmental Sealing: N/A |
| Focus distance limiter: N/A |
| Focal length: 85 mm |
| Focus method: N/A |
| Filter Thread: N/A |
| Full time manual: N/A |
| Groups: N/A |
| Hood supplied: N/A |
| Lens Image stabilization: N/A |
| Lens mount: N/A |
| Lens Materials: N/A |
| Maximum focal length: 85.0 |
| Maximum magnification: N/A |
| Maximum aperture (number): N/A |
| Maximum aperture (text): N/A |
| Max Format size: N/A |
| Minimum focal length: 85.0 |
| Lens Minimum focus distance (m): N/A |
| Minimum aperture (number): N/A |
| Minimum aperture (text): N/A |
| Motor type: N/A |
| Number of diaphragm blades: N/A |
| Power zoom: N/A |
| Special elements / coatings: N/A |
| Tripod collar: N/A |
| Lens type: N/A |
| Wide/Tele: N/A |
| Level: N/A |
| Year Of Release: N/A |
| Best For: N/A |
| Best For Holiday and Landscape: N/A |
| Best For Interior and Architecture: N/A |
| Best For Fashion and Portrait: Yes |
| Best For Macro and Still Life: N/A |
| Best For Astro: N/A |
| Best For Street: N/A |
| Best For Wildlife and Sport: N/A |
| Zoom lock: N/A |
| Zoom method: N/A |
| Notes: N/A |
Would you like to give any feedback about this page?
Complete our feedback formWriting your review
Sign In / Register
Existing Customer Login
If you are already a member, fill in the details below to login & view your account.
Added to basket
xExclusive discounts when bought with this product
Condition guide
Our used products are subject to wear and tear in comparison to brand new products. This also applies to accessories that are supplied with the camera including batteries which may have a lower optimum performance level/life expectancy.
- Like New – The equipment is in a condition as if you have just bought it from the manufacturer. The item is still considered to be ‘Like New’ even without the original packaging and accessories. The product has been fully tested and is in perfect working order. Lenses are optically clear. There may be light dust present that will not effect the imagery.
- Excellent – The equipment should be close to being ‘Like New’ but there may be some small cosmetic blemishes that lower its grade. The product has been fully tested and is in perfect excellent order.
- Cameras – Should have no marks on the LCD screen
- Lenses – Should have no marks on the elements and optically clear. There may be light dust present that will not effect the imagery.
- Very Good – The equipment may have some slight cosmetic wear to the paintwork and cosmetic blemishes with only light signs of use and the product has been fully tested and is in great working order.
- Cameras – The LCD screen may have small signs of wear that does not affect its display
- Lenses – The mount of the lens will start to show signs of wear
- Good – The equipment is showing more obvious signs of cosmetic wear and blemishes, but the product has been fully tested and is in great working order.
- Cameras – LCD screen may have scratches or wear that is starting to affect the display.
- Lenses – May have slight dust inside that does not affect images. The mount shows signs of use.
- Well Used – The equipment will show significant signs of wear. The paintwork will be coming away in large areas exposing the metal work, but the product has been fully tested and is in great working order.
- Cameras – LCD screen is heavily worn either by de-lamination or has scratches to it. Rubber grips are starting to come away from the body.
- Lenses – The lens has dust inside that may affect images. The rubber zoom/focus ring is coming away from the barrel of the lens.
*All of our used items are listed with the accessories that are included. If they are not listed, then they will not be supplied at the point of purchase.
Why Buy Second Hand from Park Cameras
Park Approved Stock
Our used stock goes through a rigorous quality process. Each item is carefully inspected by our experienced specialists during the trade-in process and checked again before being listed for sale. This ensures you can shop with total peace of mind, knowing your gear has been thoroughly tested and approved.
Upto 12 Month Warranty
Shop our used gear with total confidence. Every item comes with upto a 12-month warranty (unless stated otherwise). Get the best brands for great value, and peace of mind all in one place. Don’t miss out — upgrade your kit today!
14 Day Returns Policy
When you purchase a Used item, you have a 14-day returns policy if the item isn’t as described. Enjoy peace of mind while getting great value on pre-owned gear!