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Panasonic Lumix S5 II X Camera with S PRO 70-200mm f/2.8 Lens Kit

Panasonic Lumix S5 II X Camera with S PRO 70-200mm f/2.8 Lens Kit

Product Code: P016674F

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The Panasonic Lumix S5 II X Camera with S PRO 70-200mm f/2.8 Lens Kit is an advanced hybrid full-frame system for capturing a variety of telephoto stills and video subjects, which caters to professional demands.


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Panasonic Lumix S5 II X Camera with S PRO 70-200mm f/2.8 Lens Kit Summary

Panasonic Lumix S5 II X Black Video Edition L-Mount Camera Body

Boasting a sleek matte black design and powerful new capabilities for hybrid content creators, the Panasonic Lumix S5 II X Black Video Edition L-Mount Camera Body adds the ability to output Apple Pro Res RAW over HDMI. It also offers ALL-Intra Recording, IP streaming (wired and wireless) as well as USB tethering, opening up a range of high-quality streaming options, directly from the camera body.

The camera excels for video capture, with internal recording options as well as output over full-sized HDMI. These include 6K recording in 4:2:0 10-bit (3:2) and 5.9K (16:9) at 30fps and 4:2:2 C4K and 4K at up to 60fps, with a new fan removing any recording limits when using key video modes.

Joining the range of Panasonic mirrorless cameras alongside the second generation standard edition S5 II camera, the S5 II X Black provides a host of upgrades to the body, software and internal hardwear. These include a newly developed 24 megapixel full-frame CMOS sensor with fast readout speeds and reduced rolling shutter, along with a new high-speed processor, co-developed with Leica in the L2 Alliance technology alliance. This combination powers the first ever Hybrid Phase Detection Autofocus for Lumix cameras, which greatly improves AF capabilities from 779-area metering, as well as providing blistering burst shooting speeds of 9fps in mechanical shutter and 30fps when using electronic shutter.

Key Panasonic Lumix S5 II X Camera Features

  • 5.8K Apple ProRes recording to SSD via HDMI or USB, and ALL-Intra Recording
  • Supports Apple Pro Res RAW video output to Atomos recorders like the Ninja V+
  • Support for wired and wireless IP streaming and USB tethering
  • Newly developed 24 megapixel full-frame CMOS sensor with phase-detection AF
  • Hybrid Phase Detection Autofocus with 779-area metering
  • High-speed imaging engine co-developed with Leica in the L2 Technology partnership
  • 4:2:0 10-bit 6K (3:2) and 5.9K (16:9) at 30fps and 4:2:2 C4K and 4K at up to 60fps internal
  • HFR (High Frame Rate) recording at up to 120fps and Slow & Quick capture at up to 180fps
  • 14+ stop V-Log/V-Gamut and new REAL TIME LUT function
  • Newly added Waveform Monitor, Vectorscope and Zebra Pattern
  • Improved 48kHz/24-bit audio and high-resolution 96kHz/24-bit recording with external and XLR microphones
  • Dual UHS-II SD card slots support Relay, Backup and Allocation
  • Up to 9fps with mechanical shutter and 30fps with electronic shutter (up to 300 images)
  • 96 megapixel High Resolution Mode
  • Dual Native ISO sensitivity
  • Improved image stabilisation with new Active I.S. for smoother video recording
  • Upgraded useability with new 8-way joystick, expanded drive dial, 3.0-inch free-angle touch-control monitor and large, 3,680K-dot OLED Live View Finder
  • Full-sized HDMI Type A terminal, high-speed USB 3.2 Gen 2 and Wi-Fi 5GHz connectivity
  • Improved cooling for unlimited recording in key video modes
  • Robust body with magnesium alloy die-cast front and rear frames and splash and dust resistant construction

Panasonic Lumix S5 II X Black Camera Body in More Detail

Features update May 9th, 2023

In addition to ProRes RAW, Blackmagic RAW is now available for the Panasonic Lumix S5 II X and there is also additional support for Atomos Ninja V and Atomos Shogun Connect, on top of existing support for the Ninja V+. Please note that firmware updates to the external recorders may be required in order to achieve these recording modes. This could be the perfect time to trade-in your camera and update to the enhanced Lumix S5 II X.

All recording mode can be set as follows:




















50.00p 25.00p







50.00p 25.00p

*Please refer to the ATOMOS website for the information on the corresponding firmware version of ATOMOS Ninja V+, ATOMOS Ninja V or ATOMOS Shogun CONNECT.

*Software that supports ProRes RAW is required to edit RAW video recorded with ATOMOS Ninja V+ or ATOMOS Ninja V. Apply the LUT (Look up table) available on the following customer supports site to make the same colour grading as V-Log/V-Gamut

*Please refer to the Blackmagic Design website for the information on the corresponding firmware version of the Blackmagic Video Assist 12G HDR.

*DaVinci Resolve or DaVinci Resolve Studio is required to play back and edit Blackmagic RAW data. DaVinci Resolve Studio is required to deliver projects using Blackmagic RAW data in resolutions over 3840x2160.

*All functions may not be available depending on the situation.

Best ever AF performance

The L2 Technology partnership between LEICA and Lumix has resulted in a newly developed imaging engine, along with a new 24-megapixel full-frame CMOS sensor. This lead to the release of the S5 II X alongside the original Lumix S5 II, which are the first Panasonic Lumix cameras to offer Hybrid Phase Detection Autofocus (PDAF).

The camera employs a new Phase Hybrid AF system, which combines PDAF with Contrast Detect AF for fast and dependable autofocus capabilities, while providing 779-area metering and a new Pinpoint AF. This new AF system can detect target subjects in difficult conditions such as low light, or when backlit and once locked on, will continue tracking even with other moving objects in the frame. Continuous AF during zooming1 and AF micro adjustment are also available.

1 Conventional zoom lenses require firmware update to use Continuous AF during zooming.

Powerful video capabilities

The LUMIX S5IIX is capable of 5.8K Apple ProRes recording to SSD via HDMI or USB, and ALL-Intra Recording. Additionally, the S5II X can support Apple Pro Res RAW video output to Atomos. It also supports wired2 and wireless IP streaming and USB tethering.

The S5 II X new engine presents a range of video recording capabilities, including internal:

  • 6K 4:2:0 10-bit (3:2) at 30fps
  • 5.9K (16:9) at 30fps
  • C4K and 4K 4:2:2 at up to 60fps

A new low-profile heat management system has also been developed, which ensures unlimited recording times1 without increasing the size of the camera body. The Lumix S5 II X camera body also support HFR (High Frame Rate) recording at up to 120fps and Slow & Quick capture at up to 180fps.

A range of picture profiles provide the ability to record 14+ stops of dynamic range when using V-Log/V-Gamut, as well as a new REAL TIME LUT function. This allows you to upload colour grading LUTs from an SD card which are directly applied in-camera, rather than after recording in post-production.

Features such as Waveform Monitor, Vectorscope and Zebra Pattern have also been added in response to requests from professional users, along with System Frequency (24.00Hz) and Synchro Scan, amongst other pro features.

Audio capabilities have also been enhanced, with clear and realistic 48kHz/24-bit audio, which can be recorded via the built-in mic, or an external microphone. High-resolution 96kHz/24-bit recording is also possible when using external and XLR microphones, bringing the S5 II X closer in-line with audio capabilities first introduced on the GH6, simply add the Panasonic DMW-XLR1 XLR Microphone Adaptor for XLR audio capabilities.

1 When the camera is used at recommended operating temperature 0-40 degrees C. 6K and 5.9K at 30p/25p video recording stops once when continuous recording time exceeds 30 minutes if [Thermal Management] is set to [STANDARD].

2 Requires USB-LAN adapter, sold separately.

Pro-level photo and video

Thanks to a series of new and improved features the Lumix S5 II X is capable of delivering truly stunning photo and video performance. Capture all the action with high-speed burst shooting at up to 9fps with mechanical shutter and 30fps when using electronic shutter, for up to 300 images.

High Resolution Mode is available for RAW and JPEG to create astounding 96-megapixel stitched shots, while Dual Native ISO sensitivity minimises noise and provides a maximum ISO of 51200 (up to 204800 when extended).

Better image stabilisation

The Lumix S5 II X also boasts an upgraded 5-axis image stabilisation system, to improve handheld shooting across a wide range of conditions and situations. New Active I.S. delivers highly stable video recording by optimising horizontal, vertical and rotational correction, with up to 200%2 improvement compared to conventional stabilisation. Active I.S. is especially effective in what would typically be challenging conditions for handheld shooting, such as recording while using telephoto lenses or while walking.

1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used. Firmware must be updated to the latest version.

2 Compared with Lumix S5. Focal length 20mm, when using S-R2060.

Advanced operation for solo creators

A highly refined shooting experience allows creators to achieve excellent results with a more streamlined workflow thanks to features such as AWB Lock, MF Assist (available for both video1 and photo) and a new Live Crop function, which records video footage using the entire sensor surface enabling the user to crop 4K and FHD images afterwards.

A new easy-to-operate 8-way joystick further enhances usability as does the expanded drive dial, 3.0-inch free-angle touch-control monitor and large, 3,680K-dot OLED Live View Finder.

1 Up to 60p. Does not work in Variable Frame Rate mode.

Improved reliability and connectivity

The camera is built to robust standards for demanding use in the field, with magnesium alloy die-cast front and rear frames plus a splash and dust resistant1 construction.

Connectivity has been improved over the previous model, with the LUMIX S5 II X featuring a full-size HDMI Type A terminal, high-speed USB 3.2 Gen 2 and a cable lock holder to prevent unwanted unplugging. Wireless connectivity has been improved too, adding Wi-Fi 5GHz2 to 2.4GHz, which provides a fast, stable connection with smartphones and tablets. Dual card slots (both UHS-II) support Relay Recording, Backup Recording and Allocation Recording and the 2200 mAh high-capacity battery can be recharged via AC or USB.

1 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

Huge range L-Mount lenses

Along with a diverse range of accessories, users can enjoy building an extensive collection of L mount lenses from Panasonic, Leica, Sigma and third party manufactures such as Laowa. Options include the Lumix S 14-28mm f/4-5.6 Macro Lens, which launched at the same time as the camera and numerous other focal lengths, suitable for stills and video.

Diverse range of camera accessories

Discover a wide range of Panasonic camera accessories to extend your creative potential, and if you’ve upgraded from the first generation body you can continue using the same batteries, grip, memory cards and other accessories.

Firmware updates for enhanced functionality

Panasonic is well known for enhancing camera performance through regular firmware updates and have already announced a pending update, which will add new functions including RAW data output and Live View Composite.

Discover more

Alongside this video-centric matte black camera, Panasonic has released lens kits and a standard body, which you can learn more about in our Panasonic Lumix S5 II and S5 II X Review. Options include:

What’s in the box

  • Panasonic Lumix S5 II X Matte Black Video Edition full-frame L-Mount Camera Body
  • Body Cap
  • Hot Shoe Cover
  • Cover for the Battery Grip Connector
  • Shoulder Strap
  • Battery Pack
  • AC Adaptor
  • USB Connection Cable (A-C)

Panasonic Lumix S l-mount PRO 70-200mm f/2.8 O.I.S Telephoto Zoom Lens

The newly announced full-frame Lumix S PRO 70-200mm f/2.8 O.I.S lens from Panasonic compliments the Panasonic Lumix S PRO 16-35mm f/4 lens. Both are the latest additions to the L-mount range of lenses, forming two of the three trinity workhorse zooms, which make up many photographers primary focal lengths.

The Lumix 70-200 has been developed from the Leica and Sigma alliance, and Panasonic have developed this latest addition to wear their PRO badge of quality. This ensures the highest possible optical results with the inclusion of several image enhancing elements. This optical design includes no less than 22 elements in 17 groups, yet weighs only 1570g, which is relatively light for such a complex design. Quality is optimised with the inclusion of 1 aspherical element to reduce aberrations, 3 ED lenses enhancing contrast and sharpness as well as 2 UED lenses, which keep down weight and improve image quality even further.

70-200 is a classic focal zoom range which is versatile enough for many photographic subjects. These include portraits, weddings, landscapes and even closer wildlife shooting. With the fast and bright constant aperture this lens is ideal in any low light situations. Optical stabilisation further enhances hand-held shooting abilities, which will be most welcome to the majority of users. The design is made up with 11 diaphragm blades which is very impressive and ensures beautiful smooth bokeh for out of focus areas.

The lens has a focal range from 94cm to infinity, allowing photographers to get extremely close to their subjects. This creates new possibilities of macro-style shooting as well as capturing pin sharp subjects along a than focal plane, with plenty of smooth background. The lens has been constructed to be dust and splash proof, ideal for outdoor shooting and has a large 82mm filter thread for the addition of rings or filters.


Lens construction

22 elements in 17 groups (1 aspherical lens, 3 ED lenses, 2 UED lenses)



Optical image stabiliser


Focal Length


Aperture Type

11 diaphragm blades / Circular aperture diaphragm

Maximum Aperture


Minimum Aperture


Closest focusing distance


Maximum magnification

Approx. 0.21x

Diagonal angle of view

34°(Wide) - 12°(Tele)

Dust and Splash resistant


Recommended Operating Temperature

-10oC to 40oC (14oF to 104oF)

Filter Size


Max. Diameter


Overall Length



Approx. 1570g

Standard accessories

Lens cap, Lens rear cap, External tripod mount, Lens hood, Lens storage bag

Offers: Price Drop
Offer Category: N/A
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AE Bracketing: N/A
Autofocus Modes: N/A
Articulated Screen: N/A
Aperture priority: N/A
Battery: N/A
Built-in flash: N/A
Battery Life (CIPA): N/A
Camera CIPA image stabilization rating: N/A
Colour: N/A
Continuous drive (fps): N/A
Custom white balance: N/A
Digital zoom: N/A
Effective pixels (megapixels): N/A
Environmental Sealing: N/A
Exposure compensation: N/A
External flash: N/A
Flash range (metres): N/A
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Focal length multiplier: N/A
Flash modes: N/A
HDMI Port: N/A
Headphone port: N/A
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Weight (inc. batteries) (g): N/A
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Camera Image stabilization: N/A
JPEG quality levels: N/A
Live view: N/A
Camera Lens mount: N/A
Manual exposure mode: N/A
Maximum shutter speed (electronic): N/A
Maximum ISO: N/A
Maximum ISO (boosted): N/A
Max resolution: N/A
Maximum shutter speed (seconds): N/A
Maximum aperture: N/A
Manual focus: N/A
Microphone: N/A
Microphone port: N/A
Camera Minimum focus distance (cm): N/A
Minimum ISO: N/A
Minimum ISO (boosted): N/A
Minimum macro focus distance (cm): N/A
Minimum shutter speed (seconds): N/A
Metering modes: N/A
Number of focus points: N/A
Number of white balance presets: N/A
Optical zoom multiplier: N/A
Orientation sensor: N/A
Other resolutions: N/A
Processor: N/A
Remote control: N/A
Screen dots: N/A
Screen size: N/A
Screen type: N/A
Self-timer: N/A
Shutter priority: N/A
Speaker: N/A
Sensor photo detectors (megapixels): N/A
Sensor size: N/A
Sensor type: N/A
Storage types: N/A
Subject / scene modes: N/A
Timelapse recording: N/A
Touchscreen: N/A
Camera Type: N/A
Uncompressed format: N/A
Camera USB: N/A
USB charging: N/A
Viewfinder coverage: N/A
Viewfinder magnification: N/A
Viewfinder resolution: N/A
Viewfinder type: N/A
Video formats: N/A
Video Mode Categories: N/A
Video Modes: N/A
WB Bracketing: N/A
Wireless: N/A
Notes: N/A

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Condition guide

Our used products are subject to wear and tear in comparison to brand new products. This also applies to accessories that are supplied with the camera including batteries which may have a lower optimum performance level/life expectancy.

  • Like New – The equipment is in a condition as if you have just bought it from the manufacturer. The item is still considered to be ‘Like New’ even without the original packaging and accessories. The product has been fully tested and is in perfect working order. Lenses are optically clear. There may be light dust present that will not effect the imagery.
  • Excellent – The equipment should be close to being ‘Like New’ but there may be some small cosmetic blemishes that lower its grade. The product has been fully tested and is in perfect excellent order.
    • Cameras – Should have no marks on the LCD screen
    • Lenses – Should have no marks on the elements and optically clear. There may be light dust present that will not effect the imagery.
  • Very Good – The equipment may have some slight cosmetic wear to the paintwork and cosmetic blemishes  with only light signs of use and the product has been fully tested and is in great working order.
    • Cameras – The LCD screen may have small signs of wear that does not affect its display
    • Lenses – The mount of the lens will start to show signs of wear
  • Good – The equipment is showing more obvious signs of cosmetic wear and blemishes, but the product has been fully tested and is in great working order.
    • Cameras – LCD screen may have scratches or wear that is starting to affect the display.
    • Lenses – May have slight dust inside that does not affect images. The mount shows signs of use.
  • Well Used – The equipment will show significant signs of wear. The paintwork will be coming away in large areas exposing the metal work, but the product has been fully tested and is in great working order.
    • Cameras – LCD screen is heavily worn either by de-lamination or has scratches to it. Rubber grips are starting to come away from the body.
    • Lenses – The lens has dust inside that may affect images. The rubber zoom/focus ring is coming away from the barrel of the lens.

*All of our used items are listed with the accesories that are included. If they are not listed then they will not be supplied at eh epoint of purchase.

Used team

Peace of mind with our 6 month warranty

This product has been thoroughly tested by our team of photographers and we are happy to give a 6 month warranty as a result. The number of tests depends on the individual product but we are confident in this product having tested all the major functions. Anything that isn’t as you would expect, we then make a note of and show this in the condition notes on the page.

So you can be confident you are buying a great piece of kit that’s been looked after by a fellow photographer and seen many extraordinary sights, tested by our team of photographers and now looking forward to being set free to capture more great images!

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