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Why use a 35mm lens

In this guide we look at why a 35mm lens is till one of the most useful focal lengths for a wide range of photography styles. We explain how a 35mm lens renders perspective, how it compares in real-world use to a 50mm lens, and why many photographers sometimes prefer a 35mm prime for everyday shooting.

You’ll also find an overview of current 35mm lens options across major camera systems from Canon, Nikon, Sony, Fujifilm and Leica, alongside popular third-party alternatives from Sigma, Tamron and more.

So why not join us as we explore what a 35mm camera lens is good for, who it suits, and how to choose the right option for your budget.

This guide has been updated for 2026 to reflect current lens ranges and availability across major camera systems.

Why use a 35mm lens?

Table of contents

What does a 35mm mean?

What subjects are a 35mm lens good for?

35mm vs 50mm lens: what’s the difference?

Best lens options for:

What does a 35mm prime lens mean?

Canon 35mm lens sample image of Greece cityscape

Canon sample photo: EOS 5DS. 6 sec exposure at ISO 100

Lenses are defined by their focal length and whether that focal length is fixed or adjustable. A prime lens has a single focal length, so a 35mm prime lens offers a single fixed angle of view rather than a zoom range.

This focal length produces a slightly wide, yet natural-looking perspective that sits close to how scenes are perceived by the human eye, without the compression of longer lenses or the exaggeration of wide angles.

On a full-frame camera, a 35mm lens provides a moderately wide field of view that works well for general everyday photography. On APS-C cameras, the effective field of view is tighter, bringing it even closer to a standard lens. This is one of the reasons 35mm primes are commonly used across genres, from documentary and street photography to environmental portraits and video.

Because it encourages photographers to move and think about framing, a 35mm prime is often left on the camera for long periods and used for a wide range of everyday shooting.

Below, we look at how a 35mm lens performs for everyday shooting, how it compares with a 50mm lens, and where it fits within a typical camera setup.

What’s the difference on a crop or full frame camera?

Leica sample of a street scene during Covid

Leica sample photo: Summilux-M 35mm f/1.4 ASPH. 1/1500th sec. ISO 400. f/6.8

On a full-frame camera, a 35mm lens delivers the field of view it was designed for, offering a moderately wide perspective that feels natural and balanced. This is because the sensor uses the full image circle produced by the lens.

On crop sensor cameras, the sensor is smaller, so it captures a narrower portion of that image. As a result, a 35mm lens appears closer, with an effective field of view, roughly equivalent to around 50mm. Most APS-C cameras apply a crop factor of about 1.5x, which makes subjects appear slightly closer and reduces how much of the scene fits into the frame.

For crop sensor users, this puts a 35mm prime in direct competition with a 50mm lens on full frame. The two are similar in use, but the wider perspective of 35mm can feel more flexible, particularly in tighter spaces or when photographing people within their surroundings. That said, many photographers happily use both focal lengths, choosing between them based on subject, shooting distance, and personal preference.

What subjects is a 35mm lens good for

Nikon Z 35mm lens sample of a street scene

Nikon sample photo: Z 35mm F1.8 S. 1/200. ISO 1600 f/1.8

The human eye is often described as seeing a perspective equivalent to around 43mm, which helps explain why a 35mm lens feels so natural to use, especially for storytelling. It is slightly wider than human vision, allowing more of a scene to be included without getting into obvious wide-angle distortion.

This makes it a good starting point for understanding how different focal lengths behave, and where a 35mm lens fits among the wider types of camera lenses available.

Because it captures a little more than we naturally see, a 35mm lens gives extra context in the frame. This breathing room makes compositions feel open, while still keeping subjects prominent and is one of the main reasons this focal length works across such a wide range of photography styles.

Subjects that suit a 35mm lens particularly well include:

  • Street photography
  • Portraits, especially environmental portraits
  • Travel photography
  • Architecture
  • Landscapes
  • General everyday shooting
  • Weddings and events
  • Night photography
  • Video

This broad spread of use cases explains why many photographers treat 35mm as an everyday focal length. Physically, 35mm lenses are often compact and lightweight, and many are available with bright apertures. This allows more light to reach the sensor, catering to faster shutter speeds in low light, and makes it easier to separate subjects from their backgrounds if needed.

Another advantage is how well a 35mm lens handles straight lines and perspective. Compared to wider focal lengths, it produces less barrel or perspective distortion, even when the camera is not perfectly level. This makes it particularly well suited to scenes that include buildings, streets, or strong vertical lines, while still offering enough width to tell a complete visual story.

Sample from Sony 35mm f/1.8 G lens in sunset

Sony sample photo: FE 35mm F1.8. 1/80 sec. f/1.8. ISO 100

35mm vs 50mm lens: what’s the difference?

At first glance, 35mm and 50mm lenses can appear to deliver similar results, as both sit close to what is often described as a standard field of view. In practice, the differences become clear once you start composing images. A 35mm lens is slightly wider, which changes how much of the scene is included and how subjects relate to their surroundings.

One of the most noticeable differences is depth of field. With a wider focal length, more of the scene stays in focus at the same aperture and shooting distance. This can be useful when photographing multiple subjects or scenes where context matters, such as landscapes, street photography, architecture, and travel.

Working distance also plays a role. A 35mm lens allows photographers to work a little closer to their subject while keeping more of the environment in the frame. This can be particularly effective for environmental portraits, events, and documentary-style photography, where the surroundings help tell the story rather than being excluded.

Framing flexibility is another factor. A wider view naturally includes more of the scene, and if a tighter composition is needed, it is often possible to crop slightly in post-production. While cropping is not a replacement for focal length choice, it does offer more flexibility than starting too tight in-camera.

Physically, many 35mm lenses are relatively compact and lightweight, especially when compared with fast 50mm equivalents. This makes them appealing for everyday use, travel, and long shooting days where size and weight matter.

If you are deciding between the two, our dedicated guide to 50mm lenses looks in more detail at where a standard 50mm focal length excels, and how it compares across different camera systems. For a broader overview of how focal lengths behave and how they fit into a wider kit, our guide to camera lenses explained provides additional context.

Best 35mm lens options for these camera brands

Canon RF 35mm lens with macro function

Canon

Canon users have access to a broad range of 35mm primes across both EF and RF mounts, covering DSLR and mirrorless systems. This makes it easy to choose a 35mm option that suits different shooting styles and budgets within the wider range of canon camera lenses.

Below are three well-established 35mm options for Canon users, spanning EF and RF mounts. Together, they give a clear snapshot of how a 35mm prime fits into the Canon system, from professional DSLR glass to more compact mirrorless designs.

Lens model

What we love

Price

Canon EF 35mm f/1.4L II USM Lens

Canon are of course masters of their DSLR system and this is an EISA award winning lens, which delivers across all fronts. Packed with 14 elements in 11 groups gives a premium feel with gorgeous results every time.

£2,199.00

Canon RF 35mm F/1.4L VCM Lens

This is one a series of new hybrid lenses from Canon, which features a Voice Coil Motors (VCM) and Nano USM focusing for video and stills creators.

£1,679.00

Canon RF 35mm f/1.8 IS STM Macro Lens

Adding versatility to an already versatile option thanks to dedicated macro close-up functionality for EOS R mirrorless cameras. Check out the RF 35mm Flickr group with real world user examples showing what can be achieved with this newer model.

£509.00

Nikon Z 35mm F1.8 S Lens is affordable and high quality

Nikon has a great selection of 35mm primes across both its legacy F-mount DSLR system and the contemporary Z-mount mirrorless range. This gives photographers flexibility when choosing a 35mm lens from the wider lineup of Nikon camera lenses, whether continuing with an existing DSLR kit, adapting a lens, or shooting with native Z-series glass.

Below are three options that show how a 35mm prime fits into both systems, covering different budgets and preferences.

Lens model

What we love

Price

Nikon AF-S Nikkor 35mm f/1.8G ED

Ideal for full frame or crop sensor Nikon DSLR this is an affordable and bright aperture option.

£529.00

Nikon Z 35mm F/1.4 Lens

Recently Nikon surprised users with a very affordable, high quality prime with a fast aperture and excellent optics.

£599.00

Nikon Z 35mm F1.8 S

Nikon has been busy developing excruciatingly sharp optics for their mirrorless system. This model is just that, sharp, fast and provides excellent results.

£899.00

Powerful optics in the Sony FE 35mm f/1.4 GM Lens

Sony

Sony’s mirrorless E-mount system offers one of the widest selections of 35mm primes available, with options covering different sizes, apertures, and price points. This makes it easy to find a 35mm option that fits different shooting styles within the wider range of Sony camera lenses, whether portability, speed, or optical performance is the priority.

The lenses below show how varied a Sony E 35mm lens lineup can be, from compact everyday primes to high-end professional glass.

Lens model

What we love

Price

Sony FE 35mm f/1.8 Lens

This lens weighs only 280g but punches well above its weight. A bright aperture and smaller size make this a great all rounder for various skill levels.

£539

Sony FE 35mm f/1.4 ZA Zeiss Distagon T* Lens

This high end model is compact, lightweight and works overtime to capture light where we only see darkness. The fast aperture is ideal for anyone shooting street, during night or any low light situations. Definitely a smash hit with ZEISS optical design.

£999.00

Sony FE 35mm f/1.4 GM Lens

G Master lenses take no prisoners and the new 35mm maintains this as one of the highest quality prime models in the E mount range.

£1,429

Samyang AF 35mm f/1.8 FE Prime Lens For Sony E

You might have heard some well known Youtube street photographers rave about this lens and with good reason. The price is low but the quality high and it’s one of Samyang’s many excellent options for Sony cameras.

£339

Sigma 35mm F/1.4 DG DN Art Lens For Sony E

Although there is an even more premium f/1.2 option, Sigma’s f/1.4 Art lens will be the perfect option for many users, combining optical quality with durable build and a wide maximum aperture, all for a competitive price.

£769.00

Compact Fujifilm 35mm lens with 50mm equivalent

Fujifilm

Fujifilm’s X Series uses an APS-C sensor, which means a 35mm lens delivers a field of view equivalent to roughly 50mm on full frame. This places the focal length firmly in standard territory, making it well suited to everyday photography, portraits, street work, and general shooting.

The three lenses below show how Fujifilm approaches a 35mm prime at different price points, from compact and affordable to faster, more characterful options. The Fujifilm lens 35mm f2 in particular has become a popular choice within the X System thanks to its balance of size, handling, and optical performance.

Lens model

What we love

Price

Fujifilm XC 35mm f/2 Lens Black

This may be the most affordable model from Fujifilm but with an f/2 aperture it still shines. The lens weighs a paltry 130g yet somehow has 9 optical lens elements delivering excellent quality.

£159.00

Fujifilm XF 35mm f1.4 Lens

This is Fujinon’s top-end prime and that shows in the results. The bright light gathering optics capture images even when light is virtually non existent. Users can take this anywhere as it measures just 65mm x 50mm.

£549.00

Fujifilm XF-35mm f2 R WR

Despite sporting a slightly slower aperture than the f/1.4 model the f/2 has a 9-bladed aperture which results in smooth round bokeh. Weather sealing and lightning quick focus make this an excellent choice for any user.

£349.00

The beautiful Leica Summilux lens

Leica Rangefinder lenses

Leica’s M-mount system has a long association with the 35mm focal length, particularly in rangefinder photography. These lenses are compact, manually focused, and built around optical character as much as outright speed, making them a natural fit for documentary, street, and reportage-style photography.

Lens model

What we love

Price

Leica Summicron M 35mm f/2 ASPH Lens

With 11 aperture blades photographers using this lens can isolate their subject and create beautiful, creamy out of focus backgrounds.

£3070.00

Leica Summilux-M 35mm F/1.4 ASPH Lens Silver

This is not just stunningly designed in Silver, but fast, sharp and full of bokeh character for M system users.

£4,798.00

Voigtlander 35mm F/2 VM ASPH Ultron Vintage Line Type II Lens Black

Despite a relatively modest price, the Voigtlander is an excellent option for rangefinder photographers, offering sharp results even wide open, with a new aperture design that complements the new optics.

£628.00

Full-frame Sigma 35mm Art lens

L-mount

The L-Mount alliance has grown quickly, and the 35mm focal length is well represented across both Leica and Sigma options. These lenses cover a range of priorities, from optical precision to more accessible high-performance alternatives, all designed for full-frame L-Mount cameras.

Lens model

What we love

Price

Sigma 35mm F/1.4 DG DN Art Lens For L-Mount

This lens has been developed exclusively for mirrorless cameras and is smaller, faster and sharper than any DSLR equivalent from Sigma, and comes highly recommended.

£769.00

Leica APO-Summicron-SL 35mm F/2 ASPH

This model for full frame L cameras comes packed with 13 elements of which 5 are special optics. The results are outstanding leaving no question about Leica’s commitment to the L mount.

£4200.00

Panasonic Lumix S 35mm F/1.8 Lens For L Mount

If you’re a video-first creator, Panasonic’s series of f/1.8 primes is a match made in heaven, with a lightweight design, high quality optics, video-orientated focusing and features for video content creators.

£529.00

Conclusion

A 35mm lens is one of the most flexible focal lengths available, particularly on full-frame cameras where it offers a slightly wide, natural perspective. Choosing the best camera lenses depends on how you shoot, the subjects you enjoy, and how much flexibility you want from a single focal length.

For many photographers, 35mm strikes a balance between subject emphasis and context that works across a wide range of styles.

Prime lenses at this focal length are often valued for their fast apertures and consistent optical performance. Compared with zooms, they reward a more deliberate approach to framing, where composition comes from position and timing rather than zoom changes. For some photographers, this way of working leads to more considered images and a stronger engagement with the scene in front of them.

With apertures of f/2 and wider commonly available, 35mm primes also perform well in lower light and allow for controlled background separation when needed. Whether used as an everyday lens or as part of a wider kit, 35mm continues to hold its place as a practical and creatively rewarding choice.

For further reading, you may find our in-depth lens reviews and related buying guides useful, including coverage focused on street and portrait photography. You can also browse our full range of new camera lenses and used lenses to compare current options across different brands and budgets.

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By Nick Dautlich on 10/02/2021

Nick Dautlich

Nick Dautlich

Senior Content Writer and Product Reviewer

Nick Dautlich is the Senior Content Writer and Product Reviewer at Park Cameras, with over 15 years of photography experience. A Sony Imaging Professional and expert reviewer, Nick has worked with major brands such as Canon, Sony and Nikon. His work is also featured on Vanguard World UK’s website, Capture Landscapes, and Shutter Evolve. Nick’s photography includes National Trust projects and magazine covers and he is passionate about landscapes and storytelling. Nick also enjoys hiking and teaching his children about nature. Learn more on his profile page.

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