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Canon EOS R50 V Camera with RF-S 18-45mm Lens Kit
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Product Code: 1012182N
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The Canon EOS R50 V Camera with RF-S 18-45mm Lens Kit pairs a lightweight ultra-wide zoom with a video-first hybrid camera that comes packed with features to elevate your vlogging and video content.
Canon EOS R50 V Camera with RF-S 18-45mm Lens Kit Summary
Arriving with a new design and powerful features for creators, the Canon EOS R50 V Camera Body is a video-first hybrid camera that can help you level up your content. It features a 24MP APS-C sensor and the latest Dual Pixel CMOS AF II from Canon, which delivers fast, precise subject detection and tracking, especially when recording video and pulling focus effects.
The EOS R50 V body boasts lots of essential features aimed at creators, like a Vari-angle screenfor selfie recording, an Input/Outputfor a mic and headphones, and a second easy-access recording button on the front of the camera body.
You can record stunning 4K30p oversampled from 6K with this lightweight Canon mirrorless camera, as well as high-speed video for slow motion playback effects, at 4K60p (with a crop) and a maximum FHD 120p. There are also plenty of features to help you deliver the best production quality to your audience. These include the C Log3 colour profile with wide dynamic range, 4K recording for up to 2 hours, which caters to long-form content, and even advanced features like Aspect Markers, Timecodeand a Tally Lamp.
Sample 01 with RF-S 14-30mm lens at 30mm. Camera settings 1/125 sec. f/6.3. ISO 160
Whether you’re just setting up a new channel, or an experienced professional creator, the Canon EOS R50 V Camera paves the way for you to capture pro-level results from a compact APS-C body with an RF mount, which is compatible with a range of Canon mirrorless lenses.
Read our new Review
Learn more about the impressive features which can transform your content creation in our latest review. Read our Review
Canon EOS R50 V Camera Body in More Detail
Designed for video
Canon has refined the R50 V’s body design to include a comfortable grip for handheld shooting, and the camera features a video-first mode dial on top, for quick access to different shooting modes. This dial also provides access to photo mode, which enables either manual or auto control via the camera menu.
Vari-angle touchscreen
A thoughtfully designed Vari-angle touchscreen allows you to flip out the LCD screen in horizontal and vertical recording modes for selfies and difficult angles. The screen doesn’t interfere with any cables connected to the camera, and the menu system automatically flips orientation when switching between horizontal and vertical for uninterrupted shooting.
A tripod hole for vertical shooting can be found on the camera’s side, which allows for connection to any standard tripod, as well as the Canon Tripod Grip HG-100TBR for vlogging and remote control. Additionally a red record button on the front of the camera provides easy recording activation when vlogging, without needing to change the position of the camera.
Sample 02 with RF-S 14-30mm lens at 30mm. Camera settings 1/125 sec. f/6.3. ISO 160
Canon Advanced Shoe
An advanced shoe on the camera lets you add a compatible Canon Speedlite, external microphone or other cable-free accessory to elevate your content with a dedicated accessory. The body also features a power zoom lever, enabling digital zooming when shooting with a PZ lens, such as the RF-S 14-30mm f/4-6.3 IS STM PZ Lens, which launched simultaneously with the camera. This delivers smooth fingertip control over the lens’ zoom, without needing to change your grip on the camera.
Canon RF Mount
With the RF mount you can add the latest prime and zoom lenses not only from Canon, but also third party manufacturers including Sigma, who has extensive experience in developing world-class lenses. These include zooms such as the Sigma 16-300mm f/3.5-6.7 DC OS Contemporary Lens for Canon RF Mount and Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Canon RF Mount, both of which provide extensive reach with versatile zoom ranges.
Meanwhile Canon has a number of options that include the Canon RF-S 10-18mm F/4.5-6.3 IS USM Lens, which is perfect for landscapes, travel and vlogging on this crop-format mirrorless camera.
Sample 03 with RF-S 14-30mm lens at 14mm. Camera settings 1/125 sec. f/5.6. ISO 100
Content that looks its best
Capture stunning video content in a variety of formats, including 4K30p oversampled video from 6K, slow motion in 4K 60p (cropped) or Full HD 120p. The Canon Log 3 profile is also available, which captures a wider dynamic range with broad colour grading versatility during post. 4:2:2 10-bit recording is available, allowing for more accurate and smoother colour rendition in your video footage.
Canon has also included a Custom Pictureprofile feature, which allows you to fine-tune your content by adjusting certain settings such as gamma/colour space, matrix, and by using look files. This offers quick changes to your preferred image characteristics as well as presets, which provides advanced capabilities for streamlined content creation.
Tools for high-end production values
Various tools are available to help users streamline their content creation process through the use of Aspect Markers, Timecodeand specific exposure and focus tools such as False colour, zebra display, and MF peaking.
- Aspect Markers provide a visual guide for how the final image will look in various aspect ratios, which is ideal when you create content for different platforms.
- Timecode adds specific metadata to your videos, enabling accurate syncing that allows the editing process to move more smoothly.
- A tally lamp is available, highlighting when the camera is recording so you never accidentally miss segments.
Sample 04 with RF-S 14-30mm lens at 14mm. Camera settings 1/100 sec. f/7.1. ISO 100
Dual Pixel CMOS AF II
One of the most impressive features of the EOS R50 V is the inclusion of Canon’s Dual Pixel CMOS AF II, which is powerful autofocus technology for stills and video found throughout high-end cameras like the EOS R5 and R6 Mark II. This system offers wide sensor coverage so you can achieve sharp focus on yourself or your subject, even as it moves to the edges of the frame.
Dual Pixel CMOS AF II also features advanced subject recognition to track people, select animals, and vehicles, making it easier to get sharp results, while concentrating on the creative aspect of your content.
Connectivity and content broadcast
When it comes to dropping your content the Canon EOS R50 V Camera is ready with a variety of connectivity options, including:
- WiFi connection
- USB connection to camera connect
- UVC/UAC plug-and-play webcam with computer supplied power
- UVC up to 4K 60p
- Live streaming with Canon’s Live Switcher Mobile app, which doesn’t require a PC or switcher
Canon RF-S 18-45mm f/4.5-6.3 IS STM Lens Summary
Arriving as one of two new native APS-C format RF lenses is the ultra-compact Canon RF-S 18-45mm f/4.5-6.3 IS STM Lens (together with the RF-S 18-150mm f/3.5-6.3 IS STM ). It delivers a versatile focal width with a 1.6x crop factor for an equivalent focal zoom range of 29-72mm (full-frame format). This is great for a wide variety of subjects including landscapes, travel, portraits, vlogging and video, or simply as a general lens for all-day shooting.
Despite weighing just 130g, Canon has managed to add an image stabilisation mechanism, which gives you 4-stops of anti-shake compensation with the EOS R10, and up to 6.5-stops when mounted on the R7 camera, which has combined body/lens image stabilisation. A fast and silent STM (Stepping Motor) captures subjects quickly, whilst in-camera technology makes sure they stay in focus however fast they’re moving across the frame.
Canon RF-S 18-45mm f/4.5-6.3 IS STM Lens in More Detail
Great first lens for exploring your creativity
Capture life wherever it takes you, with a compact APS-C zoom for crop sensor EOS R cameras that offers a 29-72mm (35mm equivalent) zoom range. That results in a compact zoom, which is ideal for travel, family snaps and even vlogging and can be easily stowed away in your kit bag.
Sharp handheld images and video
You won’t need a flash when you have 4-stops of image stabilisation built into the lens, with up to 6.5-stops of compensation on offer when used with compatible cameras.
Smooth, quiet focusing
Canon’s STM motor technology captures smooth, silent and accurate focusing while a seven blade, circular f/4.5-6.3 aperture is perfect for creating pleasing out of focus highlights and nice bokeh balls with the right conditions.
Manual focus option
Go into manual mode and get closer with a higher magnification in MF mode. This allows you get as close as to 15cm with a 0.25x magnification, as the perfect solution for capturing subjects in glorious detail.
Perfect for all-day shooting
The combined weight of this RF-S 18-45MM F4.5-6.3 IS STM and an EOS R APS-C mirrorless camera offers a significant weight savings compared to a DSLR equivalent. Less weight means you can use for longer, without getting tired and never missing a moment. Try this lens as the Canon EOS R10 with RF-S 18-45mm IS STM Lens kit to see precisely how light this combination can be.
Canon RF-S 18-45mm f/4.5-6.3 IS STM Lens Sample Images
EOS R10 with Canon RF-S 18-45mm f/4.5-6.3 IS STM Lens at 18mm. Camera settings: 1/100 sec. f/5.6. ISO 100
EOS R10 with Canon RF-S 18-45mm f/4.5-6.3 IS STM Lens at 18mm. Camera settings: 1/1000 sec. f/5.6. ISO 100
EOS R10 with Canon RF-S 18-45mm f/4.5-6.3 IS STM Lens at 18mm. Camera settings: 1/250 sec. f/4.5. ISO 12800
EOS R10 with Canon RF-S 18-45mm f/4.5-6.3 IS STM Lens at 18mm. Camera settings: 1/250 sec. f/4.5. ISO 1250
Canon RF-S 18-45mm f/4.5-6.3 IS STM Lens Specifications
| Image Size | APS-C |
| 35mm Film Equivalent Focal Length (mm) | 29-72mm |
| Angle of View | 64° 30’- 28° 20’, |
| (Horzntl, Vertl, Diagnl) | 45° 30’ - 19° 05’, |
| 74° 20’- 33° 40’ | |
| Lens Construction | 44749 |
| (Elements/Groups) | |
| Special Optics | 2 x PMo Aspherical |
| Number of Diaphragm Blades | 7 |
| Minimum Aperture | 22 @ 18mm / 32 @ 45mm |
| Closest Focusing Distance (m) | 0.2 (18mm) (Manual Focus: 0.15) |
| 0.3 (35mm) (Manual Focus: 0.24) | |
| 0.35 (45mm) (Manual Focus: 0.25) | |
| Maximum Magnification (x) | 0.14 (18mm) (Manual Focus: 0.25) |
| 0.15 (35mm) (Manual Focus: 0.21) | |
| 0.16 (45mm) (Manual Focus: 0.26) | |
| Control Ring | Combined Focusing/Control |
| Image Stabilizer OIS1 | 4 |
| Image Stabilizer IBIS x OIS1 | 6.5 |
| AF Actuator | STM |
| Coatings | Super Spectra |
| Fluorine | No |
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Condition guide
Our used products are subject to wear and tear in comparison to brand new products. This also applies to accessories that are supplied with the camera including batteries which may have a lower optimum performance level/life expectancy.
- Like New – The equipment is in a condition as if you have just bought it from the manufacturer. The item is still considered to be ‘Like New’ even without the original packaging and accessories. The product has been fully tested and is in perfect working order. Lenses are optically clear. There may be light dust present that will not effect the imagery.
- Excellent – The equipment should be close to being ‘Like New’ but there may be some small cosmetic blemishes that lower its grade. The product has been fully tested and is in perfect excellent order.
- Cameras – Should have no marks on the LCD screen
- Lenses – Should have no marks on the elements and optically clear. There may be light dust present that will not effect the imagery.
- Very Good – The equipment may have some slight cosmetic wear to the paintwork and cosmetic blemishes with only light signs of use and the product has been fully tested and is in great working order.
- Cameras – The LCD screen may have small signs of wear that does not affect its display
- Lenses – The mount of the lens will start to show signs of wear
- Good – The equipment is showing more obvious signs of cosmetic wear and blemishes, but the product has been fully tested and is in great working order.
- Cameras – LCD screen may have scratches or wear that is starting to affect the display.
- Lenses – May have slight dust inside that does not affect images. The mount shows signs of use.
- Well Used – The equipment will show significant signs of wear. The paintwork will be coming away in large areas exposing the metal work, but the product has been fully tested and is in great working order.
- Cameras – LCD screen is heavily worn either by de-lamination or has scratches to it. Rubber grips are starting to come away from the body.
- Lenses – The lens has dust inside that may affect images. The rubber zoom/focus ring is coming away from the barrel of the lens.
*All of our used items are listed with the accessories that are included. If they are not listed, then they will not be supplied at the point of purchase.
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