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As the nights draw in, photographers here in the UK often find themselves packing away earlier than they’d like, but short winter days don’t have to stifle your creativity.
Using a camera flash can allow you to keep shooting through the winter months, whether you enjoy portraits, product photography or wildlife.
That said, flash photography can be a bit tricky, especially when you’re trying to control where the light goes or precisely how it looks in the final image. Enter MagMod, a well-established US company that has developed a range of simple yet effective magnetic lighting modifiers that makes shaping light easier.

The MagBeam Kit and MagMask Kit are two more recent products, which were both updated in 2024 as part of the new and improved second-generation MagMod system.
The MagBeam is like a zoom lens for your flash, concentrating light into the distance with a focused beam that’s ideal for effects and fill lighting for portraits, weddings and wildlife photography. The MagMask Kit creates light shapes, forms, and patterns, and works by placing stainless-steel masks inside the modifier.
In this guide we explore what these Magmod lighting kits do, how to set them up, and share some examples to help kickstart your own creative flash photography setups, particularly during the darker months.
If you’re just starting out with flash photography, or looking to expand your lighting options, here’s a closer look at the MagBeam and MagMask from MagMod.
If you’re in a hurry here are the main pros and cons of the Magmog MagBeam and MagMask Kits.
Pros
Cons
Precautions

MagMod has been around for several years, appealing to photographers who use camera flash regularly. The idea they’ve developed is to make flash modifiers faster and easier to use by attaching everything magnetically. Instead of using clips or elastic bands, each modifier snaps into place with strong neodymium magnets.
Fast forward over a decade and MagMod has updated their most popular modifiers to be easier to attach, more universally compatible, as well as smaller and lighter. Let’s find out how it works next.
MagMod is a completely modular on-camera flash photography system, allowing for expansion as you get more into it. You will of course need a flashgun for your camera, then you add a MagGrip 2 (which is included in the MagBeam Kit).
MagGrip 2 is a heavy duty stretchy silicone mount that fits over the head of your flash, creating a magnetic base for attaching modifiers such as grids, gels, diffusers and the MagBeam in this guide. It’s quick to fit and stays securely in place, so you can leave it on your flash all of the time if you choose.
In 2024, MagMod introduced the second-generation, which improved the design with stronger magnets and lighter materials. The new versions are more compact, stack, and offer broader compatibility with different flashguns, including round head flash.

The MagBeam is a collapsible silicone body that holds a swappable Fresnel lens at the front. The Fresnel lens focuses light in a similar way to those in lighthouses, narrowing a broad flash output into a more efficient beam. By adjusting the body between collapsed, mid and fully extended, you can control how far the light is thrown.
When fully extended, the light is focused over long-distances, reaching much further than your flashgun can on its own, which is perfect for using a telephoto lens. When collapsed MagBeam spreads light more evenly for closer shots. This simple yet clever design allows you to adapt your flash coverage to match longer focal lengths, giving more control over reach, spill and exposure.

Although it works in both TTL and HSS, you may prefer to use your flashgun in manual mode, as this lets you adjust the settings for the MagBeam regardless of your lens’s focal length.
The focused beam makes your light output more efficient, so you can use lower power settings while achieving the same reach, reducing recycle times and enhancing battery life.

During my time with the MagBeam, I primarily photographed birds, and I found that once I had the settings right when shooting manually, I could illuminate the subject far more effectively, even when fully extended to 400mm.
Using flash for wildlife photography isn’t something I had ever considered before, but it allows you to achieve a more accurate result in camera rather than lifting shadows in post. With this level of reach, it may well be one of the most effective flash options for wildlife photography.

Powerful camera flashguns rarely zoom beyond 200-300mm, which is fine for some subjects but too wide for a lot of wildlife. The MagBeam solves this by concentrating your light output through the Fresnel lens into a tighter beam at longer focal lengths. This focused light allows your flash to illuminate distant subjects far more effectively, especially in low light or shade.
By adding a subtle fill light, the MagBeam can also reveal finer details in fur and feathers, and adds a small catchlight to the eyes of your subject, which can bring the image to life. It is especially useful when shooting in dense undergrowth or forests, where light can be low, uneven and shadows hide detail. I liked the effect when shooting backlit subjects, as it allows for more even exposure.
Because the light is concentrated, your flash also becomes more efficient. You can work at lower power levels, which reduces recycle times and extends battery life, which is something every photographer appreciates.
It is a great solution for low light, and for distant subjects, but bear in mind the additional weight on top of your telephoto lens. You should also avoid using the system at night, as the concentrated flash beam can stress wildlife and may temporarily affect their vision.

The MagMod MagMask Kit (2024) is an accessory for the MagBeam that adds creative effects with shape and texture to your light. It includes a wide lens (differentiated from the Fresnel lens by a cutout notch) for even projection. There are twenty stainless steel MagMasks with different patterns or stencils included, and a storage wallet.
When you combine the MagMask Kit with the MagBeam, the flash light passes through the stencil mask, projecting the stencil shape onto your background in the same way that stage lights use gobos. It gives you the ability to add patterns, interest and atmosphere to your images, especially when combined with coloured gels.
Because the masks fit inside the MagBeam, setup is pretty straightforward once you have done it a couple of times.

How to use the MagMask:
The MagMask is designed to project a pattern, so it may not provide enough light for your subject, in which case you might want a second off-camera flashgun. A second flash fitted with a diffuser, softbox or MagMod modifier can balance the exposure and give better results.
There are countless creative ways to use these masks. You can project a window-like pattern behind a subject to create the impression of sunlight through blinds. You can add circles or abstract textures to product and food photography backgrounds, or create distinctive looks for engagement or fashion shoots.

Both the MagBeam and MagMask Kits are part of MagMod’s improved second-generation system, which features stronger magnets, a lighter design, and improved compatibility with round-head flashes. Additionally, MagMod Pro Gels have built-in magnets for quicker changes, and come in several different colour groups.
The new kits are compatible with original modifiers, so you can upgrade as you go, while mixing elements from both systems although MagMod states that for the best experience they recommend using MagMod 2 modifiers together.
These Kits show how much creativity you can get from a single flash. The MagBeam extends reach for portraits or wildlife, while the MagMask lets you project creative patterns and textures.
MagMod’s system is also stackable, so you can combine the MagBeam and MagMask with other modifiers such as gels and grids to create different looks and effects.
If you enjoy experimenting with light, this setup opens the door to new creative possibilities, particularly when it is harder to get outside to shoot. Explore the full MagMod range today, or go straight to the MagMod MagBeam Kit (2024) and MagMod MagMask Kit (2024) to learn more about the products featured in this guide.
Yes, the MagMask Kit relies on the MagBeam to project its shapes and patterns. The MagBeam focuses the flash output, and the MagMask defines the light’s form as it passes through.
The MagBeam Kit includes a Fresnel lens. Use the telephoto lens when you want a narrow, focused beam for wildlife or distant subjects, and the wide lens when you are using the MagMask or lighting subjects at closer range.
Yes, MagMod gels can be placed between the MagBeam lens and the MagMask to tint the projected pattern. It is a simple way to introduce colour into your backgrounds or creative setups.
If you are lighting a background pattern only, one flash will work. However, when photographing people or products, it is best to use a second flash for your main subject. This allows you to balance light between the foreground and background for a cleaner result.
Yes, it supports both modes, although you may prefer using manual flash settings for more consistent results. Manual mode lets you fine-tune power and distance without depending on your lens’s focal length or camera metering.
The second-generation MagMod system fits most standard speedlights and round-head flashes using the MagGrip 2 adapter. Optional accessories are available for less common flash shapes if needed.
Move the flash closer or further from the background until the edges of the projection appear crisp. The correct distance depends on the flash power, lens choice and room size, so it is worth experimenting until you find the best result.
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By Nick Dautlich on 16/12/2025
Nick Dautlich is the Senior Content Writer and Product Reviewer at Park Cameras, with over 15 years of photography experience. A Sony Imaging Professional and expert reviewer, Nick has worked with major brands such as Canon, Sony and Nikon. His work is also featured on Vanguard World UK’s website, Capture Landscapes, and Shutter Evolve. Nick’s photography includes National Trust projects and magazine covers and he is passionate about landscapes and storytelling. Nick also enjoys hiking and teaching his children about nature. Learn more on his profile page.
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